John: Not my first rodeo. It's my second.
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Vic: [BLANK_AUDIO]
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John: Pragmatic is a show about technology and contemplating the finer details in their
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John: practical application. By exploring the real-world trade-offs, we dive into how
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John: great ideas can be transformed into products and services that impact our lives.
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John: Pragmatic is entirely supported by you, our listeners. If you'd like to support us and
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John: keep the show ad-free, you can by becoming a Premium Supporter. Premium Support is available
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John: access to early release, high-quality versions of episodes, as well as bonus material from
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John: all of our shows not available anywhere else. Just visit engineer.network/pragmatic to learn
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John: how you can help this show to continue to be made. Thank you. I'm your host, John Chidjie,
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John: and today I'm joined again once again by my good friend Vic Hudson. How you doing, Vic?
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Vic: >> I'm good, John, how are you?
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Vic: [BLANK_AUDIO]
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John: Not too bad. I'm enjoying the podcasting booth, aka sweatbox. It's the middle of summer. The
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Vic: >> Mm-hm.
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Vic: [BLANK_AUDIO]
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John: air conditioning has not plumbed in properly yet, and hence, oh dear. But that's okay.
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John: It's going to be sweaty, but it's going to be good. Tell me. But you see, you're talking
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Vic: I will trade you weather if you'd like.
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Vic: Do you know what I woke up to this morning?
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Vic: Snow and three degrees Fahrenheit.
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Vic: [LAUGH]
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Vic: [BLANK_AUDIO]
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John: to the man that used to live in Calgary, mate. I mean, the only thing I didn't like about
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Vic: Mm-hm.
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Vic: [BLANK_AUDIO]
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John: the snow was de-icing my car in the morning in the car park. That's the only thing I didn't
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Vic: Yeah, that blows, that blows really bad.
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John: like. Yeah. Anyway, having said that, I also miss the mountains, and snow is beautiful
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Vic: [BLANK_AUDIO]
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Vic: It is pretty through the window, through the window.
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John: in its own way. Except when you... Yeah. Yes. When you're trying to get somewhere and there's
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Vic: [LAUGH]
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Vic: [BLANK_AUDIO]
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John: a foot of it on the ground, it's less good. But anyway. So I've got a whole bunch of stuff
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Vic: Yeah, it's a lot less good then.
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Vic: [BLANK_AUDIO]
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John: I wanted to cover today. I do have a primary topic. Okay. I do have a primary topic, sort
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Vic: What you got, man?
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Vic: [BLANK_AUDIO]
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John: of. But it's all got to do with... You can't call it 3D, right? You've got to call it spatial.
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Vic: Spatial computing, spatial computing.
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John: But we'll get to that. 3D video. But we'll get to that. Yes, that's it. Indeed. I do
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Vic: [BLANK_AUDIO]
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John: all my computing spatially. Oh God, please. I'll call it whatever the hell I want. Expensive
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Vic: You should also not call it Vision Pro, the Vision Pro.
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Vic: [LAUGH]
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Vic: You have to call it Apple Vision Pro.
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Vic: [BLANK_AUDIO]
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John: doorstop. There's another name it may get. Anyway, let's keep going. There's other things
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Vic: Mm, continue, I'm intrigued.
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John: to talk about first. Okay. So just... I touched on it briefly. I have an issue with sound
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Vic: [BLANK_AUDIO]
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John: booth cooling. So I have the air conditioning unit, and I have some of the parts necessary
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Vic: [BLANK_AUDIO]
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John: that I acquired over the holidays. And anyway, unfortunately for me, I don't really have...
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Vic: [BLANK_AUDIO]
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John: How do I put this? I don't have all of the last pieces for me to make a start on it.
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John: Therefore, I haven't done anything about it. So I'm still on a non-air conditioned sound
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John: booth. And there's one other tiny problem. I have no air conditioning in the rest of
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John: my house. My wife spotted a air conditioning unit sitting next to the podcasting booth,
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John: not doing anything. It's the middle of summer. It's 90 degrees Fahrenheit out there regularly.
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Vic: [LAUGH]
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John: So she says, "Well, can't have air conditioning units. Could be doing something constructive."
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John: I'm like, "Yeah, it could be." And so it disappeared into the house. I think that it's borrowed.
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Vic: She stole it, she stole it.
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Vic: [LAUGH]
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John: It's borrowed. And I borrowed it back just for this morning's recording. So there you
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Vic: [BLANK_AUDIO]
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John: go. So I've cooled down the inside of the sound booth, and we're good to go. As soon
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John: as I start to melt into a puddle, we'll take a break. But I don't know. I'm tough. I can
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John: handle this. I say now. Okay. Right. So just a note about that, but we'll move on. I'm
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Vic: [BLANK_AUDIO]
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John: hoping in the next month or two, I'll be able to finish this job because honestly, when
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John: the air conditioning is running in here, it really is quite pleasant. It's just I can't
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John: close the door because there's no exit hole. I got to cut one into the side of it, put
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John: the baffle boxes on. It's on the to-do list. Anyway. All right. So next bit of news that
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John: happened since last time is I finally have solar power back again at my house. I've got
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John: 10 kilowatts installed. I mean, technically it's 13.2 kilowatts of panels, and I've got
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Vic: [BLANK_AUDIO]
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John: 10 kilowatt three phase inverter. And it's a beautiful system. They're new panels. They've
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Vic: Mm.
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Vic: [BLANK_AUDIO]
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John: been installed much better than the previous panels. And I'm producing something like 80.
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John: I think yesterday was a sunny day. I had 82 kilowatt hours in one day. Very impressive.
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John: So because I can't, yeah. Yeah. I could, yes. If I had batteries, I could run the house
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Vic: That sounds impressive.
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Vic: For those of us that don't speak kilowatt hours, like, what are we looking at here?
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Vic: Can you run the whole house with that, and for how long?
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John: indefinitely provided I was getting, yeah, I was getting, yeah, but I'd have to have
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Vic: Nice.
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Vic: [BLANK_AUDIO]
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John: batteries that could do probably 20 kilowatt hour of storage, which I realized the whole
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Vic: Uh-huh.
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Vic: [BLANK_AUDIO]
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John: thing with storage and capacity has all been messed up thanks to vehicles and stuff. So
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John: technically we measure things in amp hours and such because voltage determines power,
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Vic: [BLANK_AUDIO]
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John: but nevermind. Doesn't matter. Bottom line is I don't have batteries because they're
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John: a little bit pricey still. So maybe someday I'll get a power wall or more likely a cheaper,
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John: equally good Chinese version because they've got some really good ones coming out of China.
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John: Keeping in keeping note that my Tesla model three has Chinese battery packs in it. Right.
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Vic: Right, that's cool.
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John: So the LFP anyway, nevermind. Yeah. Yep. That's right. So my last power bill, yeah. My last
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Vic: Do you, you at least have the thing like where your electric meter runs backwards sometimes,
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Vic: and you get credit from the power company, right?
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Vic: That's sweet.
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Vic: [BLANK_AUDIO]
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John: power bill at this point in time for two months, I think my electricity's cost me a hundred
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John: bucks for two months, which previously it was costing me about $800. So the solar system
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John: is making an enormous difference. And I've been charging the car on solar just by using
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John: a bunch of automations, which are probably going to go away. And then I signed up to
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John: something that we're testing at work, which gives me 8 cents a kilowatt hour charging,
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John: which is pretty cool for my Tesla. But so yeah. But because I'm the sort of, well, a
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John: person that I am, I'm also going to go to my absolute limit as permitted by Queensland
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Vic: Mm-hm.
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John: law, which is 15 kilowatts. So I've got another five kilowatt system I'm waiting for final
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Vic: [BLANK_AUDIO]
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John: approval from the electricity authority that's Energex. So hopefully that gets approved in
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Vic: What's involved in that approval?
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John: the next few weeks and installed sometime late February. That would be cool. And then
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Vic: You expect any, what's involved in that approval?
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John: it'll, I'll have even more. Sorry. Well, no. So the story was that about a year ago, we
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Vic: Do you expect any trouble, or is it just formalities?
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Vic: [BLANK_AUDIO]
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John: applied to have a 15 kilowatt system installed. Actually it was more like 18 months ago and
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John: Energex rejected it because our house, when we got three phase power connected, it was
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John: actually connected up by three independent phases, one from each path, one from each
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John: feeder that came through different physical pathways, which is a big no, no. You can do
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John: it, but you really shouldn't. You can get away with it in residential because generally
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John: you don't have balanced three phase machines. Whereas in an industrial environment, that
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Vic: [BLANK_AUDIO]
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John: would never work because you try and hook up phases A, B and C to an induction motor
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John: and it would just, you'd probably destroy the motor. So anyway, at some point they realized
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John: that that was only temporary and unbeknownst to us, we saw them doing a whole bunch of
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John: upgrades to transformers on like pole mount transformers on the streets. And we had power
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Vic: Right.
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Vic: [BLANK_AUDIO]
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John: outages at our house, multiple power outages, and they pulled a new three phase cable into
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John: our house. And this all just happened. I didn't ask them to do it. They just did it, which
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John: is one of the great things about having an electricity authority that's actually on the
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John: ball and for all of the crap that people give Energex, they were on the ball and they were
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John: fixing up this hack job solution that they had.
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John: Now, as soon as they did that, of course, knowing what I know, I'm looking at the rating
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John: of the transformers because that's what people do when you walk down the street, you look
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John: up and you say, "Oh wow, that's 100 kVA and that's 150. Okay, interesting." Anyway, I
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Vic: [BLANK_AUDIO]
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Vic: I always do that.
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John: know normal people. Yes, I know. Yeah, totally. Yeah. And then you run into the pole and you're
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Vic: Sometimes I get distracted staring at them while I'm driving.
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Vic: [LAUGH]
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John: like, "Oh, but yes." Anyhow, yeah. Anyway, listeners know that Vic has not done that,
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Vic: Right?
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Vic: [BLANK_AUDIO]
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John: so I'm just kidding. Anyhow, moving on.
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John: So I went back to Energex with a new application and the rules had changed since I did the
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John: last application and I had to split the system into two pieces, a 10 kW and a 5 kW. And so
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John: the 10 kW got approved and the 5 kW got lost in the system. So the 10 kW got installed
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John: and I'm still waiting for the 5 kW. Now, because they've upgraded all of the backend, it should
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Vic: [BLANK_AUDIO]
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John: just go ahead. It should, but I don't know what's going to happen. We'll see. So hopefully,
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Vic: Right.
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Vic: [BLANK_AUDIO]
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John: we'll find out soon. Hopefully, it is just a formality. All right?
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Vic: That's cool, that's cool.
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Vic: [BLANK_AUDIO]
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John: The one thing I did do, creatively speaking at least, over the break, the Christmas holidays,
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John: is I did an episode of Pragmatic Electric, which I hadn't done in a while. I did an episode
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Vic: Mm-hm.
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Vic: [BLANK_AUDIO]
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John: of... So now I made 10 episodes of Pragmatic Electric. That is a video version of this
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John: podcast about DC charging infrastructure. This particular episode is very locally focused.
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Vic: [BLANK_AUDIO]
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John: So if you're not in Southeast Queensland or even Queensland as the state, you're probably
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John: not going to care. But it's really been wonderful to see there's been a massive rollout of charging
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John: infrastructure. Well, you can certainly do that, and I would
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Vic: What if we wanna watch it just to see Chigi?
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Vic: [BLANK_AUDIO]
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John: encourage you to do so. The video itself has had an enormous 49 views as of last night.
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Vic: Okay.
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Vic: [BLANK_AUDIO]
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John: I think I checked it was. So I've almost cracked 50 views. Anyway, it's not a big thing. It's
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John: just something to do to scratch that creativity itch and sort of thing. I figure that having
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John: that on this show and going into all those details is probably not of very much interest
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John: to the audience of this particular podcast. So if you want to, there'll be a link in the
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Vic: Mm.
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Vic: [BLANK_AUDIO]
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John: show notes. Feel free to check it out. When I was doing... Why thank you, Vic. Oh, dear.
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Vic: I'll post about it.
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Vic: Should get you at least two, three more views.
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Vic: [BLANK_AUDIO]
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Vic: [LAUGH]
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Vic: I do what I can, man.
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Vic: [BLANK_AUDIO]
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John: Oh, no, I know. It's awesome. So honestly, I just wanted to say about EVs, I came across
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Vic: [BLANK_AUDIO]
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John: this in the last couple of weeks. I've been back at work now for two through three weeks
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John: now. So I only had that one week over Christmas, a week and a half. You take the days off between
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John: Christmas Day and New Year's Day and call it a holiday when it's really not because
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Vic: Mm-hm.
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Vic: [BLANK_AUDIO]
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John: you're running around going to family events and you're like, "Yeah, okay." Anyway, no,
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Vic: There's not a lot of rest involved.
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Vic: [BLANK_AUDIO]
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John: that's the problem. I want a holiday where I can rest. Anyway, it's all good, really.
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Vic: Right.
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Vic: [BLANK_AUDIO]
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John: All right. So I came across this article because there's a lot of electric vehicle hate, I
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John: would say. I think it's a fair way of putting it. And so the hate is going to hate, hate,
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John: hate, said Tay Tay. And anyway, yeah, so EV fires, they're like, "Oh, electric cars, they
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Vic: Mm-hm.
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Vic: [BLANK_AUDIO]
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John: catch on fire a lot and they're really, really dangerous," and so on and so forth. And I
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John: always suspected that was BS because the number of cars I've seen on the side of a road that
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John: have burnt out, and even one time I drove past a car that was currently on fire, gasoline
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Vic: I was gonna say, I'll bet it ran on some sort of dinosaur fuel.
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John: powered, petrol powered car. Yeah, exactly. People don't realize that they forget. And
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Vic: [LAUGH]
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Vic: [BLANK_AUDIO]
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John: I know that when they went away from single skin to double skin fuel tanks, and there
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Vic: [BLANK_AUDIO]
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John: are improvements to the placing of fuel lines and everything in a car and fuel injectors
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John: versus carburetors, and that they're all incremental improvements in safety and such for resilience.
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John: Firewalls, for example, for protecting occupants and so on. But the bottom line is that I found
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Vic: Mm.
00:12:42,000 --> 00:12:43,000
Vic: [BLANK_AUDIO]
00:12:43,000 --> 00:12:53,000
John: an article, I mean, it is an Australian article that's referencing an American study. So the
00:12:47,140 --> 00:12:52,780
John: link is to the Australian article, but the American study that this came from is in there
00:12:52,780 --> 00:12:58,740
Vic: [BLANK_AUDIO]
00:12:53,000 --> 00:13:05,000
John: anyway. So they found that petrol and diesel vehicles experienced 1,530 fires per 100,000
00:12:58,740 --> 00:13:05,300
Vic: Right.
00:13:05,000 --> 00:13:06,000
John: vehicles, whereas only 25 out of 100,000 electric vehicles caught fire. That's fully electric
00:13:05,300 --> 00:13:11,060
Vic: [BLANK_AUDIO]
00:13:06,000 --> 00:13:12,000
John: vehicles too. So I think that that's good to clear up some fear, uncertainty, and doubt
00:13:11,060 --> 00:13:18,660
Vic: Mm-hm.
00:13:12,000 --> 00:13:13,000
Vic: [BLANK_AUDIO]
00:13:13,000 --> 00:13:38,000
John: that's often spread about electric vehicles. But of course, me being me, it's not entirely
00:13:18,660 --> 00:13:23,020
John: that simple. And I kind of know that because that's not fair from the point of view of
00:13:23,020 --> 00:13:28,180
John: there's no breakdown of the age of those cars. So the chances that a brand new car that's
00:13:28,180 --> 00:13:33,540
John: gasoline powered is going to catch on fire is much lower than one that's 10 years old.
00:13:33,540 --> 00:13:36,900
John: I think that's fair to say, because like rubber deteriorates and damage happens. So the number
00:13:36,900 --> 00:13:44,980
Vic: Correct.
00:13:38,000 --> 00:13:39,000
Vic: [BLANK_AUDIO]
00:13:39,000 --> 00:13:52,000
John: of electric vehicles out there would not be 10 years old. I mean, there'd be some that
00:13:44,980 --> 00:13:49,380
John: are 10 years old, absolutely, but there would not be very many. So yeah, you're not going
00:13:49,380 --> 00:13:55,220
Vic: A few tests, listen, search, yeah.
00:13:52,000 --> 00:13:54,000
Vic: Yeah.
00:13:54,000 --> 00:13:55,000
Vic: [BLANK_AUDIO]
00:13:55,000 --> 00:14:05,000
John: to have a 10 year old, well, you're going to have some 10 year old Teslas because the
00:13:55,220 --> 00:13:59,740
John: first Model S was sold in 2014. So you will actually, but you're not going to have that
00:13:59,740 --> 00:14:04,180
John: many. So saying like a hundred thousand new cars of either type, it's like that. So I
00:14:04,180 --> 00:14:14,100
Vic: [BLANK_AUDIO]
00:14:05,000 --> 00:14:28,000
John: realize there's a flaw in that. And I suspect the number of EVs that are of the same age
00:14:14,100 --> 00:14:19,940
John: would actually have more than 25 out of a hundred thousand vehicles would have caught
00:14:19,940 --> 00:14:24,460
John: fire. I don't think it'd be like an order of magnitude or two orders of magnitude more,
00:14:24,460 --> 00:14:30,540
Vic: Mm.
00:14:28,000 --> 00:14:29,000
Vic: [BLANK_AUDIO]
00:14:29,000 --> 00:14:32,000
John: but it would certainly be a lot more, but it should still be less. Yeah, exactly. You
00:14:30,540 --> 00:14:47,940
Vic: Maybe.
00:14:32,000 --> 00:14:33,000
Vic: [BLANK_AUDIO]
00:14:33,000 --> 00:14:35,000
Vic: Yeah.
00:14:35,000 --> 00:14:36,000
Vic: I mean, well, the bottom line is, you know, when you're talking about petrol and diesel vehicles, I mean, the principle behind the whole thing is that the stuff is flammable.
00:14:36,000 --> 00:14:45,000
Vic: [LAUGH]
00:14:45,000 --> 00:14:46,000
Vic: [BLANK_AUDIO]
00:14:46,000 --> 00:14:50,000
John: light that stuff up, it goes bang inside an enclosed space, drives a piston, makes you
00:14:47,940 --> 00:14:52,500
Vic: Yeah.
00:14:50,000 --> 00:14:51,000
Vic: [BLANK_AUDIO]
00:14:51,000 --> 00:14:57,000
John: go. Yeah. So it's kind of like, "Hmm, is this stuff volatile?" Anyway. But I mean, this
00:14:52,500 --> 00:14:59,260
Vic: Yeah.
00:14:57,000 --> 00:14:58,000
Vic: [BLANK_AUDIO]
00:14:58,000 --> 00:15:14,000
John: is the thing that people need to get a grip on. And that is that any device that's capable
00:14:59,260 --> 00:15:03,660
John: of storing energy is capable of releasing that energy in a very rapid fashion if something
00:15:03,660 --> 00:15:10,980
John: goes wrong. And that something that goes wrong will vary depending upon the technology. Like
00:15:10,980 --> 00:15:15,260
Vic: Right.
00:15:14,000 --> 00:15:15,000
Vic: [BLANK_AUDIO]
00:15:15,000 --> 00:15:20,000
John: in a new case of a nuclear reactor, just pull all the control rods out and see what happens.
00:15:15,260 --> 00:15:19,060
John: They did that at Chernobyl and it went real well. Anyway. Indeed. Indeed. All right. And
00:15:19,060 --> 00:15:31,780
Vic: No, no, I saw some things that taught me that was not a good thing to do.
00:15:20,000 --> 00:15:26,000
Vic: [LAUGH]
00:15:26,000 --> 00:15:29,000
Vic: [BLANK_AUDIO]
00:15:29,000 --> 00:15:39,000
John: speaking of electric vehicles, one of the long anticipated vehicles from Tesla finally
00:15:31,780 --> 00:15:37,220
John: got released since we last spoke. And that is the Cybertruck. What are your thoughts
00:15:37,220 --> 00:15:43,060
Vic: Oh, boy.
00:15:39,000 --> 00:15:41,000
Vic: No.
00:15:41,000 --> 00:15:42,000
Vic: [LAUGH]
00:15:42,000 --> 00:15:45,000
John: and thoughts on the Cybertruck, Vic? Yeah. Yeah. See, I
00:15:43,060 --> 00:16:13,020
Vic: I, mm, that thing is god awful ugly, man.
00:15:45,000 --> 00:15:49,000
Vic: [LAUGH]
00:15:49,000 --> 00:15:50,000
Vic: It's just god awful.
00:15:50,000 --> 00:15:52,000
Vic: If I were in the market, I am actually in the market for a pickup truck.
00:15:52,000 --> 00:15:56,000
Vic: I'm sorry, Scott, because he's going to hate to hear that because it's been a point of contention.
00:15:56,000 --> 00:16:01,000
Vic: But if I were in the market for an EV truck, I've actually been pretty impressed with the Chevy Silverado EV.
00:16:01,000 --> 00:16:09,000
Vic: The Cybertruck is god awful ugly, man.
00:16:09,000 --> 00:16:12,000
Vic: [LAUGH]
00:16:12,000 --> 00:16:13,000
Vic: [BLANK_AUDIO]
00:16:13,000 --> 00:16:26,000
John: think that the problem with the Cybertruck and its looks is that if you're trying to
00:16:13,020 --> 00:16:18,140
John: go for mass adoption, having something that is that striking and that polarizing, that's
00:16:18,140 --> 00:16:25,020
John: going to work against you because you're going to be trying to normalize and get... It does.
00:16:25,020 --> 00:16:32,860
Vic: It looks like it's from a Mad Max movie, man.
00:16:26,000 --> 00:16:30,000
Vic: [LAUGH]
00:16:30,000 --> 00:16:31,000
Vic: [BLANK_AUDIO]
00:16:31,000 --> 00:16:35,000
John: It does a bit, yeah. I'd say more Blade Runner, but I mean, the reality is that, well, yeah,
00:16:32,860 --> 00:16:39,660
Vic: Oh, that's the same difference.
00:16:35,000 --> 00:16:37,000
Vic: [LAUGH]
00:16:37,000 --> 00:16:38,000
Vic: I mean, not the same difference, but, you know, yeah.
00:16:38,000 --> 00:16:42,000
John: it has some things in common. I mean, I guess my point is if in fact you're trying to get
00:16:39,660 --> 00:16:46,060
Vic: [BLANK_AUDIO]
00:16:42,000 --> 00:16:52,000
John: as many of these out there as possible to solve the, "I want to build a truck, that
00:16:46,060 --> 00:16:52,300
John: pickup truck that the majority of Americans are going to want to buy instead of their
00:16:52,300 --> 00:16:56,420
John: traditional gasoline powered counterparts," making it look like something like that is
00:16:56,420 --> 00:17:02,140
John: probably not... Making it look like something that's completely fundamentally different,
00:17:02,140 --> 00:17:07,620
John: you then force people who would ordinarily buy a Chevy Silverado or a Ford F-150, and
00:17:07,620 --> 00:17:14,620
John: they're going to look at this and they're going to say, "This thing looks terrible.
00:17:14,620 --> 00:17:16,860
John: I'm not buying that crap." People that buy pickup trucks don't always buy them because
00:17:16,860 --> 00:17:22,300
John: they want to be looked at. They buy them because they're practical and they're a truck. They
00:17:22,300 --> 00:17:28,700
John: don't have to have a presence. You know what I mean? I don't know. Some people get off
00:17:28,700 --> 00:17:33,820
John: on people staring at them. When I first got my Model 3 here in Australia,
00:17:33,820 --> 00:17:39,100
John: it was the first few months that the Model 3 was available. I was not the first. I was
00:17:39,100 --> 00:17:44,300
John: probably the... In Queensland, I was probably in the first thousand or two. It's not like
00:17:44,300 --> 00:17:53,420
John: you're... How do I put this? It's like I did get people staring at me and waving and pointing
00:17:53,420 --> 00:18:01,540
John: for the first few months, but after six months, there were so many of them on the road, it
00:18:01,540 --> 00:18:05,820
Vic: [BLANK_AUDIO]
00:18:02,000 --> 00:18:06,000
John: just stopped. The Cybertruck strikes me as the sort of car that because it is so different,
00:18:05,820 --> 00:18:12,180
Vic: Right.
00:18:06,000 --> 00:18:07,000
Vic: [BLANK_AUDIO]
00:18:07,000 --> 00:18:17,000
John: you're going to get that for years. Some people don't want that. It made me feel a bit uncomfortable
00:18:12,180 --> 00:18:16,540
John: sometimes because I'm just trying to go to the shops, mate. Don't stop me and have a
00:18:16,540 --> 00:18:21,580
Vic: Right.
00:18:17,000 --> 00:18:18,000
Vic: [BLANK_AUDIO]
00:18:18,000 --> 00:18:26,000
John: conversation about my car. I just want to go and buy some butter. What gives?
00:18:21,580 --> 00:18:27,660
Vic: Yeah.
00:18:26,000 --> 00:18:27,000
Vic: [BLANK_AUDIO]
00:18:27,000 --> 00:18:37,000
John: Anyway. Yeah. So, bottom line, Cybertruck is on sale. A part of me wants one. A part
00:18:27,660 --> 00:18:34,100
John: of me measured their garage. Oh, actually, no. That was a... Yeah. I guess technically
00:18:34,100 --> 00:18:38,540
Vic: [BLANK_AUDIO]
00:18:37,000 --> 00:18:43,000
John: it was a part of me and the measuring tape. I measured my garage and it won't fit. It'll
00:18:38,540 --> 00:18:44,380
Vic: [LAUGH]
00:18:43,000 --> 00:18:47,000
John: fit in my shed. Just. But yeah, it's a beast of a thing, eh? It's a beast of a thing. Honestly,
00:18:44,380 --> 00:18:55,260
Vic: Yeah.
00:18:47,000 --> 00:18:48,000
Vic: [BLANK_AUDIO]
00:18:48,000 --> 00:18:58,000
John: American pickup trucks are insanely huge. There's so few places in Australia where those
00:18:55,260 --> 00:19:02,340
John: cars would fit because all of our cars are all based on... We did have bigger cars for
00:19:02,340 --> 00:19:09,100
John: a while. Australian-made cars were bigger, but the Japanese won out because the Japanese
00:19:09,100 --> 00:19:14,860
John: cars were, quite frankly, cheaper, more reliable, and more economical. So, that's why people
00:19:14,860 --> 00:19:21,020
John: went for them. So, more than, I think, 60% of the cars that we have in Australia are
00:19:21,020 --> 00:19:26,900
John: Japanese and those cars are just smaller by design. So, these big American pickups, we
00:19:26,900 --> 00:19:32,500
John: look at them and they won't fit in 80, 90% of the car parks, unless you go into the handful
00:19:32,500 --> 00:19:38,340
John: of Costco's that are out there. There's a handful of other newer shopping centers that
00:19:38,340 --> 00:19:42,060
John: got wider car park spaces for them. But otherwise, you'll park in a car park and you don't have
00:19:42,060 --> 00:19:46,980
John: to take up two spots. Otherwise, you won't be able to open the doors to get out. It's
00:19:46,980 --> 00:19:50,260
Vic: [BLANK_AUDIO]
00:19:48,000 --> 00:19:53,000
John: just not going to work. So, anyway. I would like one, I think. Yeah, well, maybe. Good
00:19:50,260 --> 00:20:06,180
Vic: [BLANK_AUDIO]
00:19:53,000 --> 00:20:03,000
John: luck scratching that thing. I tell you what, though, if it does get scratched, good luck
00:20:06,180 --> 00:20:10,260
John: getting a scratch out. Oh, funny thing. You know what? As much as people like to take
00:20:10,260 --> 00:20:19,180
John: the piss out of Tesla, they are so good at taking the piss out of themselves. It's like
00:20:19,180 --> 00:20:24,620
John: on the touchscreen in the Tesla, you can actually open up a page on there that shows you an
00:20:24,620 --> 00:20:31,780
John: isometric view of your car and you can spin the car around and just have a look at it
00:20:31,780 --> 00:20:36,380
Vic: [BLANK_AUDIO]
00:20:33,000 --> 00:20:41,000
John: and it's like, "Oh, that's kind of cool." Like a 3D model sort of thing, right? And
00:20:36,380 --> 00:20:41,260
Vic: [BLANK_AUDIO]
00:20:41,000 --> 00:20:51,000
John: on the Cybertruck, they have exactly the same thing. But there's a hidden Easter egg in
00:20:41,260 --> 00:20:46,060
John: the Cybertruck. If you actually go into the Cybertruck's 3D model and you tap and keep
00:20:46,060 --> 00:20:52,140
Vic: [BLANK_AUDIO]
00:20:51,000 --> 00:20:55,000
John: tapping on the glass, on the side window glass, it smashes. It comes up and it goes, "Yeah."
00:20:52,140 --> 00:21:00,780
Vic: Does it break?
00:20:55,000 --> 00:20:57,000
Vic: Nice.
00:20:57,000 --> 00:20:58,000
Vic: [BLANK_AUDIO]
00:20:58,000 --> 00:21:00,000
Vic: Well, at least I've got a sense of humor.
00:21:00,000 --> 00:21:02,000
John: It's like so good. And you can buy. I know, right? It's like for all the crap that people
00:21:00,780 --> 00:21:06,980
Vic: [BLANK_AUDIO]
00:21:02,000 --> 00:21:12,000
John: lay on Tesla and everything and Elon Musk's an idiot and whatever the hell people say,
00:21:06,980 --> 00:21:11,980
John: it's like the haters are going to hate, but you can't deny the fact that at least they
00:21:11,980 --> 00:21:16,740
John: don't try to bury stuff. At least they're being honest and they're owning it. And I
00:21:16,740 --> 00:21:20,700
John: respect that. It takes a certain kind of company attitude to be able to laugh at yourself and
00:21:20,700 --> 00:21:28,500
Vic: [BLANK_AUDIO]
00:21:22,000 --> 00:21:34,000
John: say, "Maybe throwing a massive ball bearing into the glass was not a good demo to do on
00:21:28,500 --> 00:21:33,020
John: the live stage." Anyway, it's so funny. And it wasn't scripted, eh? It wasn't. Because
00:21:33,020 --> 00:21:41,580
Vic: No, it was not.
00:21:34,000 --> 00:21:37,000
Vic: [BLANK_AUDIO]
00:21:37,000 --> 00:21:44,000
John: Elon Musk is like, "Oh my f***ing God." The look on his face, he's been saying, "Yeah,
00:21:41,580 --> 00:21:48,660
Vic: [LAUGH]
00:21:44,000 --> 00:21:46,000
Vic: [BLANK_AUDIO]
00:21:46,000 --> 00:21:49,000
John: it's bulletproof." Oh my f***ing God. No, no, no, no. Anyway, moving on. Now, last time
00:21:48,660 --> 00:22:00,220
Vic: I can't imagine any circumstances where they would have done that on purpose.
00:21:49,000 --> 00:21:53,000
Vic: [BLANK_AUDIO]
00:21:53,000 --> 00:22:06,000
John: we spoke on Is This The Show, which is episode five, I was complaining about a whole bunch
00:22:00,220 --> 00:22:05,460
John: of stuff. Specifically, one of them though, I was complaining about Nova. And I was saying,
00:22:05,460 --> 00:22:11,980
Vic: [BLANK_AUDIO]
00:22:06,000 --> 00:22:16,000
John: "Oh, yeah, I can't really justify buying Nova because it's expensive. It's like $9.99 US
00:22:11,980 --> 00:22:20,620
Vic: [BLANK_AUDIO]
00:22:16,000 --> 00:22:29,000
John: and every year if I want updates, I got to pay it again. I don't know how I should get
00:22:20,620 --> 00:22:24,060
John: use out of it." Well, the truth is that once I configured it the way I liked it, I kept
00:22:24,060 --> 00:22:31,980
Vic: Uh-huh.
00:22:29,000 --> 00:22:33,000
John: using it and then I kept using it. And then I'm like, "Damn, this is so good." And so
00:22:31,980 --> 00:22:39,740
Vic: It's really nice, John.
00:22:33,000 --> 00:22:35,000
Vic: It's really nice.
00:22:35,000 --> 00:22:36,000
Vic: [BLANK_AUDIO]
00:22:36,000 --> 00:22:42,000
John: I bought it. I caved in and I bought it. And I don't regret it. It's... yeah. Oh no. Oh
00:22:39,740 --> 00:22:58,460
Vic: It's a great text editor.
00:22:42,000 --> 00:22:44,000
Vic: You've got terminals built in local and remote.
00:22:46,000 --> 00:22:49,000
Vic: You've got local and remote file browsers built in.
00:22:49,000 --> 00:22:53,000
Vic: It's basically got transmit built in, honestly.
00:22:53,000 --> 00:22:56,000
Vic: It's just, it's really nice.
00:22:56,000 --> 00:22:58,000
Vic: And there's a pretty good set of extensions and extension library for it.
00:22:58,000 --> 00:23:02,000
John: yeah, it does. Yeah. It truly is amazing as an app. And it is honestly... yeah. I don't
00:22:58,460 --> 00:23:12,380
Vic: Depending on what you're working on, you can find a lot of things to help with that.
00:23:02,000 --> 00:23:06,000
Vic: [BLANK_AUDIO]
00:23:06,000 --> 00:23:34,000
John: regret buying it now. Well, paying for it for 12 months. And it's been fantastic. Hasn't
00:23:12,380 --> 00:23:18,420
John: missed a beat. It doesn't chew up memory the way Adam did, which is great. And it gives
00:23:18,420 --> 00:23:24,820
John: me nicer choices and it's just easy to configure. And I'm not moving back. And the latest update,
00:23:24,820 --> 00:23:30,900
John: which I forget the version number of it, but the latest update, .8. I think it might be
00:23:30,900 --> 00:23:35,380
Vic: Mm-hm.
00:23:34,000 --> 00:23:36,000
John: 10.8, whatever the latest update is. They really improved their Git integration as well.
00:23:35,380 --> 00:23:40,700
Vic: [BLANK_AUDIO]
00:23:36,000 --> 00:23:40,000
Vic: Yeah.
00:23:40,000 --> 00:23:42,000
John: So you can have a look at your commit tree comments and branches and everything. And
00:23:40,700 --> 00:23:44,180
Vic: [BLANK_AUDIO]
00:23:42,000 --> 00:23:46,000
John: it is so sweet. All within Nova. So, yep. Hats off to Panic. Honestly, it is a great
00:23:44,180 --> 00:23:51,260
Vic: Yeah.
00:23:46,000 --> 00:23:48,000
Vic: [BLANK_AUDIO]
00:23:48,000 --> 00:24:00,000
John: app and it is worth it, I think. Even though I was humming and harring and I was annoyed
00:23:51,260 --> 00:23:55,580
John: at the time. I did it anyway. And the fact that I did it anyway is a testament to how
00:23:55,580 --> 00:24:00,060
Vic: Yeah.
00:24:00,000 --> 00:24:01,000
John: good it is, I think. So, yes. Yeah. Yeah. No, it is a fantastic app. So I just wanted
00:24:00,060 --> 00:24:24,100
Vic: I mean, honestly speaking, the subscription pricing on it does kind of hurt.
00:24:01,000 --> 00:24:06,000
Vic: But if you're gonna get use out of it and really appreciate it,
00:24:06,000 --> 00:24:11,000
Vic: that's not too bad of a price for the kind of tool that it is.
00:24:11,000 --> 00:24:15,000
Vic: It's very nice.
00:24:15,000 --> 00:24:17,000
Vic: And it's just, nothing comes close to it to me.
00:24:17,000 --> 00:24:22,000
Vic: [BLANK_AUDIO]
00:24:22,000 --> 00:24:46,000
John: to mention by way of, yes, I finally pulled the trigger and I rescind my previous frustration.
00:24:24,100 --> 00:24:30,060
John: I just did it. Anyway. All right. Moving on. So I want to start now talking about the first
00:24:30,060 --> 00:24:38,460
John: thing, which is last time we spoke on this show, we talked about my impending arrival
00:24:38,460 --> 00:24:44,580
John: of an iPhone 15 Pro Max. So, yes. So I did actually buy one only a few days afterwards,
00:24:44,580 --> 00:24:55,660
Vic: Correct.
00:24:46,000 --> 00:24:48,000
Vic: [BLANK_AUDIO]
00:24:48,000 --> 00:24:58,000
John: after we recorded, I believe. So I know that was a few months ago, but I have been using
00:24:55,660 --> 00:25:01,940
Vic: Mm-hm.
00:24:58,000 --> 00:25:00,000
Vic: [BLANK_AUDIO]
00:25:00,000 --> 00:25:28,000
John: my iPhone 15 Pro Max now for a couple of months, with its leather case. Sorry, guy. And it
00:25:01,940 --> 00:25:09,060
John: is, it's, I mean, honestly, of course I'm going to say this because the phone I have
00:25:09,060 --> 00:25:14,260
John: now is my favorite phone of all time. Like my favorite lens and the camera is the newest
00:25:14,260 --> 00:25:19,620
John: one I just bought. So, but this, this phone, my only complaint with the Max size has always
00:25:19,620 --> 00:25:26,060
John: been damn it's heavy. And so if I put it in shorts that I'm wearing and those shorts don't
00:25:26,060 --> 00:25:31,220
Vic: Mm-hm.
00:25:28,000 --> 00:25:30,000
Vic: [BLANK_AUDIO]
00:25:30,000 --> 00:25:38,000
John: have like original elastic that actually holds up, it just, my pants start falling down,
00:25:31,220 --> 00:25:38,260
Vic: Mm.
00:25:38,000 --> 00:25:40,000
John: it's, it's like, the thing is a brick. I didn't, no, no screw belts. I'll do belts for work.
00:25:38,260 --> 00:25:48,460
Vic: Gonna need a belt.
00:25:40,000 --> 00:25:42,000
Vic: [LAUGH]
00:25:42,000 --> 00:25:45,000
Vic: No.
00:25:45,000 --> 00:25:47,000
Vic: [BLANK_AUDIO]
00:25:47,000 --> 00:25:50,000
John: That's it. Anyway, so, no, this is my back pocket. That is my back pocket. I'm talking
00:25:48,460 --> 00:25:59,500
Vic: Is it any better if you put it in your back pocket?
00:25:50,000 --> 00:25:53,000
Vic: Sorry, Clay.
00:25:53,000 --> 00:25:55,000
Vic: [LAUGH]
00:25:55,000 --> 00:25:56,000
Vic: Okay, this is your back pocket.
00:25:56,000 --> 00:25:58,000
Vic: All right, carry on.
00:25:58,000 --> 00:26:00,000
John: about my back pocket. Yeah. Anyway. All right. So bottom line is it is an amazing phone and
00:25:59,500 --> 00:26:05,940
Vic: [BLANK_AUDIO]
00:26:00,000 --> 00:26:15,000
John: comparing it to an iPhone 12, which is a three year jump, clearly I'm going to say that.
00:26:05,940 --> 00:26:11,300
John: So I've done a lot of video and I've done a lot of photos with it and I've been comparing
00:26:11,300 --> 00:26:17,660
Vic: Mm-hm.
00:26:15,000 --> 00:26:17,000
Vic: [BLANK_AUDIO]
00:26:17,000 --> 00:26:21,000
John: them in so like daylight, low light conditions, yeah, both video and still photos in both.
00:26:17,660 --> 00:26:26,700
Vic: Oh.
00:26:21,000 --> 00:26:23,000
Vic: [BLANK_AUDIO]
00:26:23,000 --> 00:26:32,000
John: And I've also been doing some spatial videos, which we'll talk about later on. But for the
00:26:26,700 --> 00:26:32,300
Vic: Okay.
00:26:32,000 --> 00:26:34,000
John: moment, I guess my, my, my thinking, my thoughts on the camera is I was, I was buying it mainly
00:26:32,300 --> 00:26:41,220
Vic: [BLANK_AUDIO]
00:26:34,000 --> 00:26:56,000
John: for the ability to do zoomed in video so that I could take it into indoor sports without
00:26:41,220 --> 00:26:46,820
John: having to sign the damn waiver saying, yeah, here's a blood sample, here's a DNA sample,
00:26:46,820 --> 00:26:52,340
John: here's a whatever sample, you know, driver's license, sign your life away. So I can now
00:26:52,340 --> 00:26:57,940
Vic: Mm-hm.
00:26:56,000 --> 00:26:58,000
John: go into these games and not have to worry about any of that, which is great. And there's
00:26:57,940 --> 00:27:02,660
Vic: [BLANK_AUDIO]
00:26:58,000 --> 00:27:00,000
Vic: Yeah.
00:27:00,000 --> 00:27:02,000
Vic: I'm assuming we're talking about that new 5x lens.
00:27:02,000 --> 00:27:06,000
John: plenty of other parents that do exactly what I do. Yes. Although for indoor, for indoor
00:27:02,660 --> 00:27:08,700
Vic: [BLANK_AUDIO]
00:27:06,000 --> 00:27:19,000
John: basketball, unless I'm right down the other end of the court, 2X is fine of the other
00:27:08,700 --> 00:27:13,780
John: end of the court and they're playing down the other end at the moment, then that's the
00:27:13,780 --> 00:27:16,740
John: only time I'd need the 5X. 2X is generally enough when I'm doing video. So 5X is great
00:27:16,740 --> 00:27:24,980
Vic: Mm.
00:27:19,000 --> 00:27:21,000
Vic: That's cool.
00:27:21,000 --> 00:27:23,000
Vic: [BLANK_AUDIO]
00:27:23,000 --> 00:27:35,000
John: for cricket. If I'm out in the boundary line, it gives passable video. It's not as good
00:27:24,980 --> 00:27:29,680
John: obviously as 300 or 400 mil lenses that I've had in the past for my other camera, but it
00:27:29,680 --> 00:27:35,340
Vic: Mm-hm.
00:27:35,000 --> 00:27:37,000
John: is much nicer video in my opinion, because they, all of Apple's, I don't know, they do
00:27:35,340 --> 00:27:46,220
Vic: [BLANK_AUDIO]
00:27:37,000 --> 00:27:47,000
John: a lot of video image processing and stuff. So they, they've got a lot of that. Whereas
00:27:46,220 --> 00:27:51,860
Vic: Mm-hm.
00:27:47,000 --> 00:27:49,000
Vic: [BLANK_AUDIO]
00:27:49,000 --> 00:27:57,000
John: I don't think that the Nikon is as good at it. So I don't know, I don't know how to describe
00:27:51,860 --> 00:27:59,700
Vic: Mm-hm.
00:27:57,000 --> 00:27:59,000
Vic: [BLANK_AUDIO]
00:27:59,000 --> 00:28:09,000
John: it, but 4K video out of my phone and 120 mil on the 5X is better than the equivalent out
00:27:59,700 --> 00:28:05,620
John: of my Nikon. So take what you will from that. The flip side of it though, is the photos,
00:28:05,620 --> 00:28:15,140
Vic: Mm-hm.
00:28:09,000 --> 00:28:11,000
Vic: [BLANK_AUDIO]
00:28:11,000 --> 00:28:21,000
John: well they aren't. So in low light, in daylight conditions, it's not as, it's no contest in
00:28:15,140 --> 00:28:25,100
Vic: Mm-hm.
00:28:21,000 --> 00:28:23,000
Vic: [BLANK_AUDIO]
00:28:23,000 --> 00:28:33,000
John: daylight conditions. I could use either and you wouldn't be able to tell the difference.
00:28:25,100 --> 00:28:30,300
John: So having the Nikon there with me is not going to get me that much better a photo than I
00:28:30,300 --> 00:28:36,940
Vic: Yeah.
00:28:33,000 --> 00:28:41,000
John: can take with my phone in good lighting conditions, which is great. But at nighttime, still photos
00:28:36,940 --> 00:28:44,620
Vic: [BLANK_AUDIO]
00:28:41,000 --> 00:28:49,000
John: on the iPhone 15 are absolutely terrible of moving action. It's just, you don't even bother.
00:28:44,620 --> 00:28:51,300
Vic: Right.
00:28:49,000 --> 00:28:51,000
Vic: [BLANK_AUDIO]
00:28:51,000 --> 00:28:57,000
John: I tried it just to prove my point. There's just not enough light. It just, it just not
00:28:51,300 --> 00:28:56,820
John: enough. It will not work. Yeah, if you stay still, that's fine. If you're moving, it will
00:28:56,820 --> 00:29:10,500
Vic: Yeah.
00:28:57,000 --> 00:28:58,000
Vic: I think all of their algorithms and stuff focus on still photography for low light.
00:28:58,000 --> 00:29:05,000
Vic: [BLANK_AUDIO]
00:29:05,000 --> 00:29:12,000
John: simply be terrible. So there is no substitute for having a camera, like an 85 millimeter
00:29:10,500 --> 00:29:19,100
Vic: Right.
00:29:12,000 --> 00:29:14,000
Vic: [BLANK_AUDIO]
00:29:14,000 --> 00:29:32,000
John: F 1.8 lens. You will not beat that or a 70 to 200 F 2.8 or F2 if you're good enough to
00:29:19,100 --> 00:29:25,780
John: afford something like that. You cannot beat that if you're trying to take still photos
00:29:25,780 --> 00:29:31,460
John: in low light conditions. So that still wins, but for video, it's fine. And I suspect the
00:29:31,460 --> 00:29:37,200
Vic: Mm.
00:29:32,000 --> 00:29:34,000
Vic: [BLANK_AUDIO]
00:29:34,000 --> 00:29:42,000
John: reason is because there's a lot of computational video going on in the background on the phone.
00:29:37,200 --> 00:29:43,500
Vic: Mm.
00:29:42,000 --> 00:29:44,000
John: So it'll probably comparing like previous frame to next frame and compensating for lighting
00:29:43,500 --> 00:29:49,200
Vic: [BLANK_AUDIO]
00:29:44,000 --> 00:29:50,000
John: levels and you'd, and if you do it, yeah. And if you actually pause and try and extract
00:29:49,200 --> 00:29:55,380
Vic: Right.
00:29:50,000 --> 00:29:52,000
Vic: Just doing a lot of cleanup.
00:29:52,000 --> 00:29:54,000
Vic: [BLANK_AUDIO]
00:29:54,000 --> 00:30:19,000
John: a frame, it's no better than an, a still photo. So it's a little bit mind bending, but because
00:29:55,380 --> 00:30:01,260
John: you're, because it's moving video, the resolute, the sharpness of it is less apparent. So in
00:30:01,260 --> 00:30:09,340
John: any case, I'm happy with it in that regard, but it will never replace my Nikon for still
00:30:09,340 --> 00:30:15,380
John: photos in low light. It will never do it for sports, but that's okay. I kind of figured
00:30:15,380 --> 00:30:22,020
Vic: Mm.
00:30:19,000 --> 00:30:21,000
Vic: [BLANK_AUDIO]
00:30:21,000 --> 00:30:36,000
John: that going in. But other than that, it's been a fantastic phone. It's, it is a little bit
00:30:22,020 --> 00:30:28,900
John: on the big and heavy side. The bigger screen has pluses and minuses. Obviously it's been
00:30:28,900 --> 00:30:34,040
John: well discussed on many, many by many people, but I did it for the 5X camera and I don't
00:30:34,040 --> 00:30:39,020
Vic: Mm-hm.
00:30:36,000 --> 00:30:38,000
Vic: [BLANK_AUDIO]
00:30:38,000 --> 00:30:48,000
John: regret that choice. So that is now my phone for the next three years. And yeah, so there
00:30:39,020 --> 00:30:44,780
John: you go. Any thoughts or questions? I do. I'm currently enjoying the USB-C for data transfer,
00:30:44,780 --> 00:30:54,880
Vic: You got USB-C, too.
00:30:48,000 --> 00:30:51,000
Vic: [BLANK_AUDIO]
00:30:51,000 --> 00:30:58,000
John: but I, what I want to do is I want to invest in a USB thumb drive. I have, but my problem
00:30:54,880 --> 00:31:06,080
Vic: I was gonna say, have you tried the thing where you just basically offload your video directly to external storage yet?
00:30:58,000 --> 00:31:05,000
Vic: [BLANK_AUDIO]
00:31:05,000 --> 00:31:11,000
John: is that none of my external drives have a fast enough write speed. They're all quite
00:31:06,080 --> 00:31:10,180
John: old. I haven't bought a, an external drive recently. The only drive I bought recently
00:31:10,180 --> 00:31:15,600
Vic: Gotcha.
00:31:11,000 --> 00:31:13,000
Vic: [BLANK_AUDIO]
00:31:13,000 --> 00:31:18,000
John: is connected to my lightning node and I can't really disconnect that and use it cause that
00:31:15,600 --> 00:31:21,680
Vic: Mm-hm.
00:31:18,000 --> 00:31:20,000
Vic: [BLANK_AUDIO]
00:31:20,000 --> 00:31:28,000
John: will, then I'll lose all of my, I'll lose my, I'll lose my SATs. So I can't use that
00:31:21,680 --> 00:31:26,960
John: one. So I need to buy another one. Yeah, man, don't lose your SATs. But look, I, I need
00:31:26,960 --> 00:31:33,520
Vic: Don't wanna lose your sets.
00:31:28,000 --> 00:31:30,000
Vic: [BLANK_AUDIO]
00:31:30,000 --> 00:31:31,000
Vic: Yeah.
00:31:31,000 --> 00:31:33,000
Vic: [BLANK_AUDIO]
00:31:33,000 --> 00:31:38,000
John: to go and buy one, but it's not just that simple because you also need to buy one that's
00:31:33,520 --> 00:31:37,440
John: got the right shape. Cause the USB-C hole in the base of the, the case that I've got,
00:31:37,440 --> 00:31:46,360
Vic: Mm.
00:31:38,000 --> 00:31:40,000
Vic: [BLANK_AUDIO]
00:31:40,000 --> 00:31:45,000
Vic: Mm-hm.
00:31:45,000 --> 00:31:47,000
John: it has an, it has like a certain shape to it. So if you don't get one that has a matching
00:31:46,360 --> 00:31:51,240
Vic: [BLANK_AUDIO]
00:31:47,000 --> 00:31:52,000
John: shape, it won't fit. Yeah. Cause I tried, I've got a, I've got an adapter that does
00:31:51,240 --> 00:31:58,080
Vic: Some of those are kind of a tight fit, aren't they?
00:31:52,000 --> 00:31:55,000
Vic: Yeah.
00:31:55,000 --> 00:31:57,000
Vic: [BLANK_AUDIO]
00:31:57,000 --> 00:32:02,000
John: USB-C to USB-A and it won't fit. Like it just won't fully insert when the case is on. And
00:31:58,080 --> 00:32:05,080
Vic: Mm.
00:32:02,000 --> 00:32:04,000
Vic: [BLANK_AUDIO]
00:32:04,000 --> 00:32:14,000
John: so I've been doing my research and everything. I just haven't taken the plunge yet. I need
00:32:05,080 --> 00:32:08,640
John: a spare 60, 70 bucks. It's on the, it's on the wishlist, but not very high on the wishlist,
00:32:08,640 --> 00:32:13,440
John: I guess. Alrighty. So we'll talk about special videos in a minute. Now I don't think I've
00:32:13,440 --> 00:32:19,800
Vic: Right.
00:32:14,000 --> 00:32:16,000
Vic: [BLANK_AUDIO]
00:32:16,000 --> 00:32:29,000
John: talked about my 3D adventures on this show with the, the, the Fujifilm FinePix Real 3D
00:32:19,800 --> 00:32:26,800
John: camera. I talked about that on Is This The Show? So I just want to give a quick rundown
00:32:26,800 --> 00:32:32,320
Vic: Mm.
00:32:29,000 --> 00:32:31,000
Vic: [BLANK_AUDIO]
00:32:31,000 --> 00:32:41,000
John: of this. So in August last year, I bought myself a odd birthday present. I bought a,
00:32:32,320 --> 00:32:38,880
John: a 3D camera, which was the most popular, highest rated 3D camera to date and like consumer
00:32:38,880 --> 00:32:47,560
John: level. And this particular camera was notable for several reasons is it had a lenticular
00:32:47,560 --> 00:32:52,560
John: display on the back. And it also allowed you to record video in 720p as well as take 3D
00:32:52,560 --> 00:33:01,280
John: photos. And it's, it was a, it's a beautiful camera. And I, when I bought it, I got it
00:33:01,280 --> 00:33:07,160
John: secondhand at a, at a, a pawn shop, I suppose you would say. Secondhand store, whatever
00:33:07,160 --> 00:33:14,000
Vic: [BLANK_AUDIO]
00:33:11,000 --> 00:33:14,000
John: you want to call it. Cost me about 200 something. I think it was 200 bucks. I forget now, something
00:33:14,000 --> 00:33:19,720
Vic: Mm-hm.
00:33:14,000 --> 00:33:16,000
Vic: [BLANK_AUDIO]
00:33:16,000 --> 00:33:26,000
John: like that anyway. And I didn't notice it in the store, but the left hand lens sensor has
00:33:19,720 --> 00:33:25,520
John: a single vertical row of pixels that's dead, which you can compensate for in post-production,
00:33:25,520 --> 00:33:31,480
Vic: [BLANK_AUDIO]
00:33:26,000 --> 00:33:32,000
John: but it's just annoying. But what I was doing is I was trying to prove to myself that 3D
00:33:31,480 --> 00:33:37,280
Vic: All right.
00:33:32,000 --> 00:33:34,000
Vic: [BLANK_AUDIO]
00:33:34,000 --> 00:33:44,000
John: videos were worth the trouble and 3D videos as well. And my son had at the time an Oculus
00:33:37,280 --> 00:33:44,120
Vic: [BLANK_AUDIO]
00:33:44,000 --> 00:33:50,000
John: Quest 2 and the Oculus Quest 2 now they prefer that it's called a MetaQuest because of course
00:33:44,120 --> 00:33:49,840
John: Meta bought it, AKA Facebook, AKA Zucker, whatever. Mark Zuckerberg, anyway. And so he, they,
00:33:49,840 --> 00:33:58,640
Vic: Mm.
00:33:50,000 --> 00:33:52,000
Vic: [BLANK_AUDIO]
00:33:52,000 --> 00:33:53,000
Vic: Mm-hm.
00:33:53,000 --> 00:33:55,000
Vic: [BLANK_AUDIO]
00:33:55,000 --> 00:34:05,000
John: he basically said, "Here, borrow my head, my VR headset." And I wanted to test and see
00:33:58,640 --> 00:34:03,440
John: whether or not it was actually worth it. So in order to convert the file formats on the
00:34:03,440 --> 00:34:11,200
John: 3D camera, the Fuji one, they do their own format called MPO for their video files and
00:34:11,200 --> 00:34:18,280
Vic: Mm-hm.
00:34:15,000 --> 00:34:17,000
Vic: [BLANK_AUDIO]
00:34:17,000 --> 00:34:27,000
John: such. And the JPEGs are actually, when you open them, you can't tell that they are in
00:34:18,280 --> 00:34:22,960
John: fact 3D photos. So you had to convert them into the, the generic, what they call side
00:34:22,960 --> 00:34:28,600
Vic: Mm-hm.
00:34:27,000 --> 00:34:29,000
John: by side format. So you basically get two images, one on the left, one on the right. So it looks
00:34:28,600 --> 00:34:32,280
Vic: [BLANK_AUDIO]
00:34:29,000 --> 00:34:39,000
John: like a big, long rectangle. And anyway, so what I learned and there, there's an app called
00:34:32,280 --> 00:34:39,560
John: Stereo Photomaker. It's only runs on Windows, but you can run as a crossover app on your
00:34:39,560 --> 00:34:44,520
John: Mac, which is what I did. But I tried a whole bunch of them and that was the one I preferred.
00:34:44,520 --> 00:34:49,400
Vic: Mm-hm.
00:34:49,000 --> 00:34:51,000
John: In any case, I converted all the Fuji photos across into side by side, loaded them into
00:34:49,400 --> 00:34:54,400
Vic: [BLANK_AUDIO]
00:34:51,000 --> 00:35:01,000
John: this, this application on the, that I bought for the MetaQuest 2. And it's called Pegasus.
00:34:54,400 --> 00:35:04,040
Vic: Mm-hm.
00:35:01,000 --> 00:35:03,000
Vic: [BLANK_AUDIO]
00:35:03,000 --> 00:35:06,000
John: So I think Pegasus, but with the word pig instead of peg. Anyway, so yeah, it's weird,
00:35:04,040 --> 00:35:09,360
Vic: Mm.
00:35:06,000 --> 00:35:08,000
Vic: Did you put lipstick on it?
00:35:08,000 --> 00:35:10,000
John: but I did not put lipsticks on my Pegasus. No, I did not. I probably could have, but
00:35:09,360 --> 00:35:14,920
Vic: [BLANK_AUDIO]
00:35:10,000 --> 00:35:16,000
John: you know, nevermind. Anyway, so I found that video was pretty much almost a waste of time
00:35:14,920 --> 00:35:23,100
Vic: Okay.
00:35:16,000 --> 00:35:18,000
Vic: [BLANK_AUDIO]
00:35:18,000 --> 00:35:23,000
Vic: Mm.
00:35:23,000 --> 00:35:25,000
John: on that thing. Cause the depth issue, like if you didn't have the subject right up close
00:35:23,100 --> 00:35:28,240
Vic: Yeah.
00:35:25,000 --> 00:35:27,000
Vic: [BLANK_AUDIO]
00:35:27,000 --> 00:35:37,000
John: to you and you're just taking 3D film of a scene in front of you, and there was like
00:35:28,240 --> 00:35:34,480
John: a group of people that are playing cricket or they're just wandering around or doing
00:35:34,480 --> 00:35:38,000
Vic: [BLANK_AUDIO]
00:35:37,000 --> 00:35:44,000
John: whatever, you lose that 3D effect. It's like, it's not very striking. It's not very compelling.
00:35:38,000 --> 00:35:43,880
John: And when I took photos of an individual subject that was right up close to me, like within
00:35:43,880 --> 00:35:49,160
Vic: Mm.
00:35:44,000 --> 00:35:46,000
Vic: [BLANK_AUDIO]
00:35:46,000 --> 00:35:50,000
John: a few feet of the lens, that's when I'm like, whoa, this is, this is really impressive.
00:35:49,160 --> 00:35:56,880
Vic: Mm-hm.
00:35:50,000 --> 00:35:52,000
Vic: [BLANK_AUDIO]
00:35:52,000 --> 00:36:02,000
John: Like it is very, very impressive. But I was looking at it on MetaQuest 2 and the MetaQuest
00:35:56,880 --> 00:36:03,960
Vic: Yeah.
00:36:02,000 --> 00:36:04,000
John: 2 does not have very good resolution at all. So I was really keen to see what it was like
00:36:03,960 --> 00:36:08,720
Vic: [BLANK_AUDIO]
00:36:04,000 --> 00:36:14,000
John: a few months later when my son just, you know, basically caved in and bought himself a MetaQuest
00:36:08,720 --> 00:36:13,760
John: 3, which is a much newer, much higher resolution, much better headset, but still not as good
00:36:13,760 --> 00:36:21,860
Vic: Mm.
00:36:14,000 --> 00:36:16,000
Vic: [BLANK_AUDIO]
00:36:16,000 --> 00:36:26,000
John: as an Apple Vision Pro, but certainly very, very good. And then as a comparative, I then
00:36:21,860 --> 00:36:28,260
John: loaded the same photos into the MetaQuest 3 and the ones that looked good on the MetaQuest
00:36:28,260 --> 00:36:34,280
John: 2 looked amazing on the MetaQuest 3. And I'm just like, okay, this is definitely something.
00:36:34,280 --> 00:36:40,960
Vic: Yeah.
00:36:36,000 --> 00:36:38,000
Vic: [BLANK_AUDIO]
00:36:38,000 --> 00:36:40,000
Vic: Yeah.
00:36:40,000 --> 00:36:42,000
John: But the problem with this camera, yeah, I know. Oh, I know. Oh, it's awesome. I got
00:36:40,960 --> 00:36:53,080
Vic: [BLANK_AUDIO]
00:36:42,000 --> 00:36:52,000
John: a hand-me-down of a MetaQuest 2 from my son. So that's the first time I've had a reverse
00:36:53,080 --> 00:36:58,480
John: hand down. It's kind of cool. It's a hand-me-up. Anyway, so, so there's the, the, the thing
00:36:58,480 --> 00:37:06,960
John: that's, the biggest problem I had with this camera was that the video it took was only
00:37:06,960 --> 00:37:11,640
John: 720p. And this camera was made in 2012, 2010. It had no real decent image stabilization
00:37:11,640 --> 00:37:21,520
Vic: Mm-hm.
00:37:12,000 --> 00:37:14,000
Vic: [BLANK_AUDIO]
00:37:14,000 --> 00:37:27,000
John: at all. The dynamic range was, was terrible. And unless you're in really good light, it
00:37:21,520 --> 00:37:26,320
John: was, it was grainy. It took amazing 3D photos, still photos was fantastic. And the interpupillary
00:37:26,320 --> 00:37:33,760
Vic: Mm.
00:37:27,000 --> 00:37:29,000
Vic: [BLANK_AUDIO]
00:37:29,000 --> 00:37:37,000
John: distance, the gap between the lenses and such to match your pupils on the Fuji was 75 millimeters,
00:37:33,760 --> 00:37:39,760
Vic: Mm-hm.
00:37:37,000 --> 00:37:39,000
Vic: [BLANK_AUDIO]
00:37:39,000 --> 00:37:42,000
John: which was actually what's recommended because it'll, it'll essentially be more the average
00:37:39,760 --> 00:37:46,720
Vic: Mm.
00:37:42,000 --> 00:37:44,000
Vic: [BLANK_AUDIO]
00:37:44,000 --> 00:37:49,000
John: for a human being. So what you're seeing will be more representative. Unfortunately, yes,
00:37:46,720 --> 00:37:53,760
Vic: Like the spacing between your eyes.
00:37:49,000 --> 00:37:52,000
Vic: [BLANK_AUDIO]
00:37:52,000 --> 00:37:54,000
John: exactly. So in any case, I was itching once I got the, because that was one of the decisions
00:37:53,760 --> 00:38:01,840
Vic: Yeah.
00:37:54,000 --> 00:37:56,000
Vic: [BLANK_AUDIO]
00:37:56,000 --> 00:38:06,000
John: between getting the iPhone 15 Pro or Pro Max was the ability to take spatial videos. So
00:38:01,840 --> 00:38:08,080
Vic: Mm-hm.
00:38:06,000 --> 00:38:08,000
Vic: [BLANK_AUDIO]
00:38:08,000 --> 00:38:16,000
John: let's now talk a little bit about that. So one of the reasons I wanted to do it is because
00:38:08,080 --> 00:38:13,680
John: I wanted to continue taking spatial videos or what Apple calls spatial videos, 3D videos.
00:38:13,680 --> 00:38:20,360
Vic: Mm-hm.
00:38:16,000 --> 00:38:18,000
Vic: [BLANK_AUDIO]
00:38:18,000 --> 00:38:28,000
John: Now the, the iPhone 15 Pro or Pro Max, the, the IPD, the distance between the lenses is
00:38:20,360 --> 00:38:26,480
John: only 20 millimeters, which is nearly a quarter of what that is on the Fuji. And I was highly
00:38:26,480 --> 00:38:32,960
Vic: Mm-hm.
00:38:28,000 --> 00:38:30,000
Vic: [BLANK_AUDIO]
00:38:30,000 --> 00:38:43,000
John: skeptical. I mean, very, very, very skeptical that this would actually produce an effective
00:38:32,960 --> 00:38:38,840
John: 3D, 3D effect. And on the, on the plus side, you know, it's integrated into a device that
00:38:38,840 --> 00:38:49,600
Vic: Yeah.
00:38:43,000 --> 00:38:45,000
Vic: [BLANK_AUDIO]
00:38:45,000 --> 00:39:03,000
John: I don't have to, that I'll be with me anyway, most of the time. So unlike the Fuji, which
00:38:49,600 --> 00:38:53,640
John: I got to take with me and make sure I charge it and all that other good stuff, the phone
00:38:53,640 --> 00:38:57,040
John: will be with me at all times. So, you know, the best camera being the camera that you've
00:38:57,040 --> 00:39:01,040
John: got on you, figure, you know, that's a, that's a, that's a positive. So you can do these,
00:39:01,040 --> 00:39:08,000
Vic: Right.
00:39:03,000 --> 00:39:05,000
Vic: [BLANK_AUDIO]
00:39:05,000 --> 00:39:15,000
John: these on the Pro and the Pro Max. And I actually installed the public beta before it was formally
00:39:08,000 --> 00:39:13,220
John: released back in late 2023. And there's an app called Spatialify. It's currently in test
00:39:13,220 --> 00:39:21,140
John: flight and in iOS test flight, and you can convert your, your spatial video to side-by-side
00:39:21,140 --> 00:39:28,600
John: format, and then you can view it in any VR headset on the market. So that's exactly what
00:39:28,600 --> 00:39:32,600
John: I did. You can also adjust the eye distance in the app between 20 millimeters and 70 millimeters.
00:39:32,600 --> 00:39:38,580
John: It defaults to 36. I haven't actually played too much with that and looked at the resulting
00:39:38,580 --> 00:39:42,320
John: output, but I leaving it at the default of 36, the export looks fantastic and it's, it's
00:39:42,320 --> 00:39:48,640
John: not an issue. So you can also support in half side-by-side, full side-by-side, which is
00:39:48,640 --> 00:39:53,080
John: what I use, half over under and full over under, just different formats. But I ended
00:39:53,080 --> 00:39:57,240
Vic: [BLANK_AUDIO]
00:39:55,000 --> 00:40:07,000
John: up using full side-by-side. It just worked best for the, for the Quest. Now, obviously
00:39:57,240 --> 00:40:02,720
John: these videos on Apple Vision Pro, they aren't going to require anything like that. It'll
00:40:02,720 --> 00:40:07,240
Vic: Right.
00:40:07,000 --> 00:40:09,000
John: be fine as it is. So you don't need to worry about it. In any case. So yes. And the other
00:40:07,240 --> 00:40:14,520
Vic: [BLANK_AUDIO]
00:40:09,000 --> 00:40:19,000
John: thing that got me that I, it didn't occur to me at the time, cause I assumed, Oh, it
00:40:14,520 --> 00:40:19,000
John: records 4k video. So you'll be recording 4k, you know, spatial videos. Not true. They're
00:40:19,000 --> 00:40:24,320
Vic: [BLANK_AUDIO]
00:40:19,000 --> 00:40:23,000
Vic: Mm-hm.
00:40:23,000 --> 00:40:25,000
John: only 1080p at 30 frames a second, which yeah. And I initially I'm like, Oh, that's ridiculous.
00:40:24,320 --> 00:40:31,400
Vic: I was gonna say, that's what I thought I remembered.
00:40:25,000 --> 00:40:28,000
Vic: [BLANK_AUDIO]
00:40:28,000 --> 00:40:38,000
John: Maybe they'll, they'll, they're doing this in steps and I'll do it as a software update
00:40:31,400 --> 00:40:34,560
John: down the road. But then I sat down and did the math and I'm like, Oh yeah, okay, now
00:40:34,560 --> 00:40:38,080
John: I get it. So the problem is that the iPhone 15 Pro and Pro Max, that whilst it has three
00:40:38,080 --> 00:40:45,080
John: lenses, only two of them are genuinely side-by-side. So whilst you can correct algorithmically for
00:40:45,080 --> 00:40:53,960
Vic: [BLANK_AUDIO]
00:40:48,000 --> 00:41:16,000
John: having only 20 millimeters of IPD, it's more difficult in the vertical axis to correct
00:40:53,960 --> 00:40:59,520
John: for it. So you're not going to use the zoom lens. So you end up using the one on the right
00:40:59,520 --> 00:41:04,920
John: hand side. Well, when, when your phone lenses are pointing at the subject and the phone
00:41:04,920 --> 00:41:09,120
John: screen is facing you, the one on the right hand side is the 48 megapixel, 24 millimeter
00:41:09,120 --> 00:41:17,480
Vic: Right.
00:41:16,000 --> 00:41:18,000
John: main camera. And the run on the left hand side is the ultra wide, which is only 12 megapixels.
00:41:17,480 --> 00:41:23,080
Vic: [BLANK_AUDIO]
00:41:18,000 --> 00:41:38,000
John: So initially I thought, why? Well, you know, the one on the right hand side is 80, 64 by
00:41:23,080 --> 00:41:28,760
John: 60, 48 raw. And I scale it down, of course, unless you want the raw. But in any case,
00:41:28,760 --> 00:41:34,920
John: the ultra wide is 40, 32 by 30, 24. So you would think that there is enough pixels there
00:41:34,920 --> 00:41:40,720
Vic: Yeah.
00:41:38,000 --> 00:41:40,000
Vic: [BLANK_AUDIO]
00:41:40,000 --> 00:41:46,000
John: to do 38, 40 by 21, 60, which is 4k. But what you've got to do is compensate for the fact
00:41:40,720 --> 00:41:47,440
Vic: Mm-hm.
00:41:46,000 --> 00:41:48,000
John: that the focal lengths are completely different. It's almost 50%. It's almost half. So the
00:41:47,440 --> 00:41:53,400
Vic: [BLANK_AUDIO]
00:41:48,000 --> 00:42:14,000
John: ultra wide is 13 millimeters and the standard main is 24 millimeter effective. So that is
00:41:53,400 --> 00:41:59,480
John: a problem. It means that basically you have to crop in on your 13 mil and that crop in
00:41:59,480 --> 00:42:05,280
John: to meet, reach an equivalent of 24 millimeters is 2184 by 1638. So there's not enough vertical
00:42:05,280 --> 00:42:14,160
Vic: Doesn't quite make it.
00:42:14,000 --> 00:42:18,000
John: lines. No, you can't do 2160. You could interpolate, you could probably like do some weird computational
00:42:14,160 --> 00:42:23,120
Vic: [BLANK_AUDIO]
00:42:18,000 --> 00:42:27,000
John: stuff, but the left hand side of it would be dodgy. So I think Apple just said, nah,
00:42:23,120 --> 00:42:30,200
Vic: Mm-hm.
00:42:27,000 --> 00:42:29,000
Vic: [BLANK_AUDIO]
00:42:29,000 --> 00:42:31,000
John: we'll just stick with 1920 by 1080. Now, the thing that got me though, when I was doing
00:42:30,200 --> 00:42:36,880
Vic: Right.
00:42:31,000 --> 00:42:33,000
Vic: [BLANK_AUDIO]
00:42:33,000 --> 00:42:43,000
John: all this investigation, Vic, and playing with it in the beta, I was like, oh, this video,
00:42:36,880 --> 00:42:42,120
John: this is a cool thing, right? Because there's a little image, an icon of the Apple Vision
00:42:42,120 --> 00:42:48,640
Vic: Mm-hm.
00:42:43,000 --> 00:42:45,000
Vic: [BLANK_AUDIO]
00:42:45,000 --> 00:42:58,000
John: Pro and you can tap on that and it'll automatically default you into spatial video settings. But
00:42:48,640 --> 00:42:54,480
John: you can only do that in video. You can't do that for a still photograph. And I'm like,
00:42:54,480 --> 00:43:01,200
Vic: Really?
00:42:58,000 --> 00:43:00,000
Vic: [BLANK_AUDIO]
00:43:00,000 --> 00:43:04,000
John: yeah, why? Why not? I mean, I can take a 3D photo with my, yeah, I know, I can take a
00:43:01,200 --> 00:43:08,960
Vic: That's a bummer.
00:43:04,000 --> 00:43:06,000
Vic: [BLANK_AUDIO]
00:43:06,000 --> 00:43:28,000
John: 3D photo with my Fuji camera from 14 years old, 14 year old camera, and it looks great.
00:43:08,960 --> 00:43:15,880
John: Why can't I do that with this camera? It's video only. Now, I don't know why, if I'm
00:43:15,880 --> 00:43:22,600
John: missing something obvious, maybe I am, but I'm hoping that there'll be a software update.
00:43:22,600 --> 00:43:35,960
Vic: It seems if they could get that pretty good for video,
00:43:28,000 --> 00:43:32,000
Vic: then a still photo should be easier, I would think.
00:43:32,000 --> 00:43:36,000
John: I would think too, and I don't get it. I suspect that it'll come down the road, but I just,
00:43:35,960 --> 00:43:42,800
Vic: [BLANK_AUDIO]
00:43:36,000 --> 00:43:47,000
John: I don't get it. I don't get it. So maybe I'm missing something obvious. I don't think so.
00:43:42,800 --> 00:43:48,280
Vic: Yeah.
00:43:47,000 --> 00:43:48,000
Vic: [BLANK_AUDIO]
00:43:48,000 --> 00:43:56,000
John: So we'll see what happens with that. But most interested in this focus on what it can do,
00:43:48,280 --> 00:43:54,000
John: which is the video. So as I said, my son purchased a MetaQuest 3, and again, the resolution is
00:43:54,000 --> 00:44:01,480
Vic: Mm-hm.
00:43:56,000 --> 00:43:58,000
Vic: [BLANK_AUDIO]
00:43:58,000 --> 00:44:25,000
John: fantastic. So I took and went through the same exercise, but unlike stereo photo maker,
00:44:01,480 --> 00:44:08,840
John: Spotify is actually super easy to use. You basically just say, open up my photo library
00:44:08,840 --> 00:44:14,160
John: and it'll show you all the photos that are spatial, I'm sorry, videos that are spatial,
00:44:14,160 --> 00:44:18,680
John: and you just select one and choose the export format and away you go. I just put those onto
00:44:18,680 --> 00:44:24,420
John: my Synology. So I load all of these, yeah, I load all my videos onto the Synology in
00:44:24,420 --> 00:44:32,080
Vic: That's cool.
00:44:25,000 --> 00:44:27,000
Vic: [BLANK_AUDIO]
00:44:27,000 --> 00:44:44,000
John: the control, you go into the control panel and you go to the media indexing and you re-index
00:44:32,080 --> 00:44:36,960
John: the video folder. And then it magically shows up in the DLNA UPnP folder in Pegasus. And
00:44:36,960 --> 00:44:46,160
Vic: Mm-hm.
00:44:44,000 --> 00:44:46,000
Vic: [BLANK_AUDIO]
00:44:46,000 --> 00:44:56,000
John: then you can just look at the videos. So honestly, I got, I was saying I crept up on my son.
00:44:46,160 --> 00:44:54,960
John: So my son was cooking something in the kitchen and I walked up to him taking a spatial video
00:44:54,960 --> 00:45:00,240
Vic: [LAUGH]
00:44:56,000 --> 00:45:00,000
Vic: [BLANK_AUDIO]
00:45:00,000 --> 00:45:18,000
John: and I was getting close to him and he had the spatula and he was all, the egg flipper,
00:45:00,240 --> 00:45:04,960
John: I should say. And he was, you know, he had the flip of thing anyway. And I said, Oh,
00:45:04,960 --> 00:45:10,120
John: Hey, Hey Ben, I'm trying the spatial video thing. And he gets the spatula and he comes
00:45:10,120 --> 00:45:14,680
John: up and he's waving it right in front of my face. And I'm like, Whoa, Whoa, Whoa. You
00:45:14,680 --> 00:45:20,720
Vic: Mm-hm.
00:45:18,000 --> 00:45:20,000
Vic: [BLANK_AUDIO]
00:45:20,000 --> 00:45:37,000
John: know, okay, let's just, you know, back off. It's all good, mate. Anyway. So then I go
00:45:20,720 --> 00:45:24,040
John: and put that video in the MetaQuest 3 and I'm watching it and it pops in my face so
00:45:24,040 --> 00:45:30,160
John: much. It felt very much like, you know, my son was essentially going to whack me in the
00:45:30,160 --> 00:45:35,760
John: face with the flipper. And so it was mind-blowingly impressive. It was seriously, honestly, and
00:45:35,760 --> 00:45:45,440
Vic: [LAUGH]
00:45:37,000 --> 00:45:41,000
Vic: [BLANK_AUDIO]
00:45:41,000 --> 00:45:52,000
John: because it was 1080p and it was on a MetaQuest 3, the quality was exceptionally good. And
00:45:45,440 --> 00:45:53,000
Vic: That's cool.
00:45:52,000 --> 00:45:54,000
John: it's more, yeah, it's more or less at that point where I'm like, I may not get one immediately,
00:45:53,000 --> 00:45:59,840
Vic: [BLANK_AUDIO]
00:45:54,000 --> 00:46:06,000
John: but I know I will eventually get an Apple Vision Pro because it will look even more
00:45:59,840 --> 00:46:03,920
John: amazing. I have no doubt about that. It's just, wow. You know? So, but the same learnings
00:46:03,920 --> 00:46:11,240
Vic: Mm-hm.
00:46:06,000 --> 00:46:08,000
Vic: [BLANK_AUDIO]
00:46:08,000 --> 00:46:25,000
John: from the Fujifilm apply here because the laws of physics are the laws of physics. Like you
00:46:11,240 --> 00:46:15,240
John: need to get close enough to the subject such that that extra eye view gets depth perception.
00:46:15,240 --> 00:46:21,240
John: The further away you go, trigonometry tells you the angle gets too low. Yeah. And you
00:46:21,240 --> 00:46:26,600
Vic: You lose that.
00:46:25,000 --> 00:46:27,000
John: lose that depth. And there's just nothing you can do about it. It's just physics. So
00:46:26,600 --> 00:46:31,000
Vic: [BLANK_AUDIO]
00:46:27,000 --> 00:46:37,000
John: honestly, Vic, I'm thoroughly impressed. But the questions I have, well, that's what I
00:46:31,000 --> 00:46:41,320
Vic: I wonder if they'll ever start putting a camera lens on each end of the phone for that.
00:46:37,000 --> 00:46:41,000
Vic: [BLANK_AUDIO]
00:46:41,000 --> 00:46:44,000
John: thought they would do. And we talked about this a month ago, maybe even a year ago. And
00:46:41,320 --> 00:46:45,760
Vic: Yeah.
00:46:44,000 --> 00:46:45,000
Vic: [BLANK_AUDIO]
00:46:45,000 --> 00:47:05,000
John: I said that it was inevitable that they were going to introduce 3D video recording and
00:46:45,760 --> 00:46:50,760
John: photo photography on iPhones to make people want an Apple Vision Pro, which is exactly
00:46:50,760 --> 00:46:56,440
John: what they did. I mean, I'm not claiming that was like, oh, hey, I predicted the future
00:46:56,440 --> 00:47:00,560
John: because it was so bleedingly obvious if you didn't see that and you just weren't thinking
00:47:00,560 --> 00:47:04,480
John: about it. But the problem is that what I got wrong is, well, why didn't they do that for
00:47:04,480 --> 00:47:09,960
Vic: Right.
00:47:05,000 --> 00:47:06,000
Vic: [BLANK_AUDIO]
00:47:06,000 --> 00:47:13,000
John: still photos? And the other thing is, why only 1080p? So, and I'm stunned when they
00:47:09,960 --> 00:47:16,280
Vic: Right.
00:47:13,000 --> 00:47:14,000
Vic: [BLANK_AUDIO]
00:47:14,000 --> 00:47:26,000
John: put those lenses so close together, because clearly what they're doing is they've said,
00:47:16,280 --> 00:47:20,280
John: well, we want our lenses in a lens cluster and we'll just compute our way out of it.
00:47:20,280 --> 00:47:26,000
John: So I think that if you were to have them on extreme ends of the phone, I think it would
00:47:26,000 --> 00:47:33,200
Vic: Mm, yeah.
00:47:26,000 --> 00:47:27,000
Vic: [BLANK_AUDIO]
00:47:27,000 --> 00:47:46,000
John: actually give you slightly better 3D representation. But maybe they just figured in all of their
00:47:33,200 --> 00:47:39,200
John: testing that computationally they can adjust the IPD and they get information that's good
00:47:39,200 --> 00:47:45,360
John: enough. I don't think computation can solve the problem because it's like the whole, if
00:47:45,360 --> 00:47:50,240
Vic: Yeah, well.
00:47:46,000 --> 00:47:47,000
Vic: [BLANK_AUDIO]
00:47:47,000 --> 00:47:58,000
John: you close your left eye and then you close your right eye, you will see different information
00:47:50,240 --> 00:47:53,840
John: because different light from a different angle is hitting the 3D, coming off the 3D object
00:47:53,840 --> 00:47:57,440
John: you're looking at. You can't fake that. You can't. Yeah. So, you know what I mean? It's
00:47:57,440 --> 00:48:03,360
Vic: Right.
00:47:58,000 --> 00:47:59,000
Vic: [BLANK_AUDIO]
00:47:59,000 --> 00:48:03,000
Vic: Right.
00:48:03,000 --> 00:48:04,000
John: like, it's, yeah, it's never going to be quite as good, but you know what? Irrespective,
00:48:03,360 --> 00:48:09,440
Vic: [BLANK_AUDIO]
00:48:04,000 --> 00:48:10,000
John: I was, yeah, I know, right. It'll be uneven, uneven, I tell you. Bottom line is that I
00:48:09,440 --> 00:48:20,480
Vic: But the ugliness of two camera bumps, John.
00:48:10,000 --> 00:48:13,000
Vic: [BLANK_AUDIO]
00:48:13,000 --> 00:48:23,000
John: am absolutely pumped, excited about the Apple Vision Pro just for this feature alone. And
00:48:20,480 --> 00:48:28,200
Vic: [BLANK_AUDIO]
00:48:23,000 --> 00:48:34,000
John: I know that there's so much more that it can do, but for me, this is its killer feature.
00:48:28,200 --> 00:48:33,240
John: It always was. I just needed to satisfy myself that it was worth it. And I think it is, even
00:48:33,240 --> 00:48:39,000
Vic: Right.
00:48:34,000 --> 00:48:35,000
Vic: [BLANK_AUDIO]
00:48:35,000 --> 00:48:39,000
John: though I haven't tried Apple Vision Pro yet, I know that the step up from the Quest 2 to
00:48:39,000 --> 00:48:43,280
Vic: Mm.
00:48:39,000 --> 00:48:40,000
Vic: [BLANK_AUDIO]
00:48:40,000 --> 00:48:59,000
John: the Quest 3 was massive. And the step up from the Quest 3 to the Apple Vision Pro, reportedly
00:48:43,280 --> 00:48:49,280
John: by people that have used it, is a step up again. So I have no doubt whatsoever that
00:48:49,280 --> 00:48:54,140
John: one of these is in my future. I just don't know how far down the road and which kidney
00:48:54,140 --> 00:48:57,760
John: I'm selling. But anyway. I could, yeah, I could do that too. It's only a question of
00:48:57,760 --> 00:49:07,880
Vic: [LAUGH]
00:48:59,000 --> 00:49:01,000
Vic: Thought you were gonna say which kid you're selling first.
00:49:01,000 --> 00:49:05,000
Vic: [BLANK_AUDIO]
00:49:05,000 --> 00:49:07,000
Vic: Hm.
00:49:07,000 --> 00:49:08,000
John: which is more painful. And I'm like, hmm, maybe selling the kid is less painful. We'll
00:49:07,880 --> 00:49:16,480
Vic: [BLANK_AUDIO]
00:49:08,000 --> 00:49:13,000
Vic: The one of mine, yeah.
00:49:13,000 --> 00:49:15,000
Vic: [BLANK_AUDIO]
00:49:15,000 --> 00:49:29,000
John: see. Dear me. But anyway, so I guess we can talk a little bit also about the, because
00:49:16,480 --> 00:49:24,640
John: when I was doing the notes for this, the Apple Vision Pro had not actually been released
00:49:24,640 --> 00:49:29,040
Vic: Right.
00:49:29,000 --> 00:49:31,000
John: yet for sale. Now it's up for sale. Yeah, that's right. Have you had a chance to have
00:49:29,040 --> 00:49:36,360
Vic: [BLANK_AUDIO]
00:49:31,000 --> 00:49:38,000
John: a look through the updated website? Why is Scott convinced you'll buy it? That is, do
00:49:36,360 --> 00:49:55,240
Vic: No, not really.
00:49:38,000 --> 00:49:39,000
Vic: I actually don't have a ton of interest in this product.
00:49:39,000 --> 00:49:43,000
Vic: Although, Scott is convinced I'm going to buy one, but I don't really have a ton of interest in it.
00:49:43,000 --> 00:49:48,000
Vic: [BLANK_AUDIO]
00:49:48,000 --> 00:49:50,000
Vic: Because I buy everything Apple makes.
00:49:50,000 --> 00:49:52,000
Vic: [LAUGH]
00:49:52,000 --> 00:49:58,000
John: you have a Pro Display XDR? Do you have a Mac Pro? Anyway, rather than Scott not be
00:49:55,240 --> 00:50:07,840
Vic: I do not.
00:49:58,000 --> 00:49:59,000
Vic: I actually have a lot of things Apple makes I don't have.
00:49:59,000 --> 00:50:03,000
Vic: I do not.
00:50:03,000 --> 00:50:04,000
Vic: [LAUGH]
00:50:04,000 --> 00:50:05,000
Vic: [BLANK_AUDIO]
00:50:05,000 --> 00:50:18,000
John: in the room to defend himself, I'm sure he has his reasons for thinking this. But irrespective,
00:50:07,840 --> 00:50:13,680
John: I went on the website yesterday and had a bit of a scour through it. And they've got
00:50:13,680 --> 00:50:18,880
Vic: Mm.
00:50:18,000 --> 00:50:19,000
John: a couple of videos up there, like the making of it, which is always fun to watch the making
00:50:18,880 --> 00:50:22,480
Vic: [BLANK_AUDIO]
00:50:19,000 --> 00:50:29,000
John: of videos. And so the making of this thing is like, oh, cool, that's how they do that.
00:50:22,480 --> 00:50:26,840
John: And oh, wow, that seems excessive and over the top, but whatever. And yeah, so a little
00:50:26,840 --> 00:50:32,840
Vic: Mm-hm.
00:50:29,000 --> 00:50:30,000
Vic: [BLANK_AUDIO]
00:50:30,000 --> 00:50:50,000
John: minute and a half thing about the making of the Apple Vision Pro, and it all looks very
00:50:32,840 --> 00:50:35,840
John: cool. But the one that's also interesting is there's a seven, eight, nine minute video,
00:50:35,840 --> 00:50:41,480
John: I forget what it is. It's like introducing Apple Vision Pro. And it's supposedly the
00:50:41,480 --> 00:50:46,800
John: first time this person has used it. So there's, I forget her name, Alexandra or something
00:50:46,800 --> 00:50:52,440
Vic: Mm-hm.
00:50:50,000 --> 00:50:51,000
Vic: [BLANK_AUDIO]
00:50:51,000 --> 00:51:00,000
John: like that, whatever her name is, introducing it to this guy. And this guy apparently never
00:50:52,440 --> 00:50:58,600
John: used it before. And so she's like, well, you look at this and you do that and you do this
00:50:58,600 --> 00:51:02,760
Vic: Mm-hm.
00:51:00,000 --> 00:51:01,000
Vic: [BLANK_AUDIO]
00:51:01,000 --> 00:51:14,000
John: and you do that. And it's a bit cringy, but it kind of gets the point across. Because
00:51:02,760 --> 00:51:08,680
John: I had wondered, well, how do you adjust the screen size? How do you move the windows around?
00:51:08,680 --> 00:51:14,640
Vic: Mm-hm.
00:51:14,000 --> 00:51:15,000
John: And it's like, okay, so you look at the corner and then the control will magically appear
00:51:14,640 --> 00:51:20,400
Vic: [BLANK_AUDIO]
00:51:15,000 --> 00:51:25,000
John: and then you pinch and grab it as you're looking at it. And then you can drag to increase the
00:51:20,400 --> 00:51:24,360
John: size of whatever. And it's like little details like this that aren't obvious from the previous
00:51:24,360 --> 00:51:29,660
Vic: Mm-hm.
00:51:25,000 --> 00:51:26,000
Vic: [BLANK_AUDIO]
00:51:26,000 --> 00:51:38,000
John: videos at WWDC, they walk through some of those basics. So that'll definitely help when
00:51:29,660 --> 00:51:34,920
John: people go to use this thing and understanding how to use it.
00:51:34,920 --> 00:51:38,920
Vic: Mm-hm.
00:51:38,000 --> 00:51:39,000
John: So that was good. I watched that whole thing twice just to get my head around it and it
00:51:38,920 --> 00:51:45,120
Vic: [BLANK_AUDIO]
00:51:39,000 --> 00:51:54,000
John: all looks pretty good. But yeah, going through the order page. So there's three models. You
00:51:45,120 --> 00:51:50,320
John: can get a 256 gig, 512 gig and one terabyte model. Obviously each model as you go up has
00:51:50,320 --> 00:51:57,400
Vic: Mm-hm.
00:51:54,000 --> 00:51:55,000
Vic: [BLANK_AUDIO]
00:51:55,000 --> 00:52:04,000
John: a new insane step up in price because Apple storage rip off, blah, blah, blah. Of course,
00:51:57,400 --> 00:52:08,320
Vic: Right.
00:52:04,000 --> 00:52:05,000
Vic: [LAUGH]
00:52:05,000 --> 00:52:07,000
Vic: Yeah.
00:52:07,000 --> 00:52:08,000
Vic: [BLANK_AUDIO]
00:52:08,000 --> 00:52:18,000
John: of course. I mean, they're consistent, they're consistent and no, I'm not going to get anything
00:52:08,320 --> 00:52:11,800
John: more than a 256 gig. You gotta be kidding me. I don't care. I will cycle through stuff
00:52:11,800 --> 00:52:16,560
John: before I pay those prices. Thank you very much. Anyway. So the other, I don't have a
00:52:16,560 --> 00:52:26,320
Vic: Yeah.
00:52:18,000 --> 00:52:19,000
Vic: [BLANK_AUDIO]
00:52:19,000 --> 00:52:22,000
Vic: Just curious, what is the one terabyte?
00:52:22,000 --> 00:52:25,000
Vic: [BLANK_AUDIO]
00:52:25,000 --> 00:52:27,000
John: lot of stuff in front of me, but, and yeah. You may have to scan your face. It won't let
00:52:26,320 --> 00:52:38,240
Vic: Hold on a second, I'm looking.
00:52:27,000 --> 00:52:29,000
Vic: Get started.
00:52:29,000 --> 00:52:31,000
Vic: I'll grab an iPhone.
00:52:31,000 --> 00:52:32,000
Vic: I don't want to grab an iPhone to find the right.
00:52:32,000 --> 00:52:34,000
Vic: I, no, I don't want to scan my face.
00:52:34,000 --> 00:52:36,000
Vic: I can't.
00:52:36,000 --> 00:52:37,000
Vic: Mm.
00:52:37,000 --> 00:52:38,000
Vic: [BLANK_AUDIO]
00:52:38,000 --> 00:52:39,000
John: you. So this is the thing, right? Is that, so when you do this, there's an app clip.
00:52:38,240 --> 00:52:53,320
Vic: Wait, wait, wait, one terabyte, 38.99.
00:52:39,000 --> 00:52:43,000
Vic: Jeez.
00:52:43,000 --> 00:52:44,000
Vic: [LAUGH]
00:52:44,000 --> 00:52:46,000
Vic: [BLANK_AUDIO]
00:52:46,000 --> 00:52:48,000
Vic: I think that's a better, better price than the laptops.
00:52:48,000 --> 00:52:53,000
Vic: 34.99, 36.99, and 38.99.
00:52:53,000 --> 00:52:58,000
John: It is, but it's still not worth it. We can buy one terabyte solid state drive for under
00:52:53,320 --> 00:53:03,160
Vic: But I agree, it's not worth it.
00:52:58,000 --> 00:53:00,000
Vic: [BLANK_AUDIO]
00:53:00,000 --> 00:53:03,000
Vic: I, yeah, I know.
00:53:03,000 --> 00:53:05,000
John: a hundred bucks. Please, you know, no, just no. Anyway. All right. So the, yeah, what
00:53:03,160 --> 00:53:10,360
Vic: [LAUGH]
00:53:05,000 --> 00:53:07,000
Vic: [BLANK_AUDIO]
00:53:07,000 --> 00:53:33,000
John: was I going to say? Yeah, right. So the, the Apple vision pro website, when you log into
00:53:10,360 --> 00:53:15,760
John: on Apple, when you go to the Apple website, there's an app clip. And so you hold your
00:53:15,760 --> 00:53:19,920
John: phone up to the app clip. It downloads this app clip, and then it just scans your face.
00:53:19,920 --> 00:53:24,520
John: And it's very analogous. If you've got a phone has to have face ID. If you've done the face
00:53:24,520 --> 00:53:29,560
John: ID set up, that's all it is. It's effectively the same kind of thing. And you just got to
00:53:29,560 --> 00:53:34,200
Vic: Mm.
00:53:33,000 --> 00:53:34,000
Vic: [BLANK_AUDIO]
00:53:34,000 --> 00:53:44,000
John: move your head around in a couple of times. And it says, yep, I got your face. And I was
00:53:34,200 --> 00:53:38,520
John: like, great, please don't do anything dodgy with that. And Apple says, yep, we've picked
00:53:38,520 --> 00:53:42,840
John: your light shield. And they're not going to tell you what the hell the light shield is,
00:53:42,840 --> 00:53:46,560
Vic: [BLANK_AUDIO]
00:53:44,000 --> 00:54:09,000
John: but you know, just trust us, you know, good one. Great. Anyway. So once you've done that,
00:53:46,560 --> 00:53:52,400
John: then you go through and you select the option that you want. And then you can talk about
00:53:52,400 --> 00:53:55,680
John: your lenses. Now, the thing that's interesting is that they say very clearly in there that
00:53:55,680 --> 00:54:00,800
John: the Zeiss inserts will not work if you have a prism setting on your lens and your glasses
00:54:00,800 --> 00:54:07,680
John: prescription. Now, unfortunately for me, I lost my, it, yeah, the, the problem is it's,
00:54:07,680 --> 00:54:15,120
Vic: What does that mean?
00:54:09,000 --> 00:54:10,000
Vic: [BLANK_AUDIO]
00:54:10,000 --> 00:54:17,000
John: I think it's a barrel correction for barrel distortion. So I didn't have time to look
00:54:15,120 --> 00:54:21,760
Vic: Mm.
00:54:17,000 --> 00:54:18,000
Vic: [BLANK_AUDIO]
00:54:18,000 --> 00:54:26,000
John: into this before the show, cause I only went up, you know, I only looked at this yesterday,
00:54:21,760 --> 00:54:24,920
John: but and I was busy yesterday, but yeah, at this stage, my understanding is if you've
00:54:24,920 --> 00:54:29,720
Vic: Right.
00:54:26,000 --> 00:54:27,000
Vic: [BLANK_AUDIO]
00:54:27,000 --> 00:54:44,000
John: got multifocal lenses, it's probably going to be an issue. If you wear glasses for distance
00:54:29,720 --> 00:54:36,000
John: viewing or for reading, it's not a problem, but if you've got multifocals, it's going
00:54:36,000 --> 00:54:40,480
John: to be an issue. So they basically said, if you've got a prism value, then you basically,
00:54:40,480 --> 00:54:46,640
Vic: Mm.
00:54:44,000 --> 00:54:45,000
Vic: [BLANK_AUDIO]
00:54:45,000 --> 00:54:48,000
John: you can't get a lens for it. Sorry. So I don't know the jury's out as to how this is going
00:54:46,640 --> 00:54:53,800
Vic: Yeah.
00:54:48,000 --> 00:54:49,000
Vic: [BLANK_AUDIO]
00:54:49,000 --> 00:54:54,000
John: to work. Correct. Yeah. So Syracuse's eyes rather like mine we have two scripts, one
00:54:53,800 --> 00:55:05,080
Vic: This is like where Syracuse was talking about,
00:54:54,000 --> 00:54:57,000
Vic: which of my prescriptions do I need?
00:54:57,000 --> 00:54:59,000
Vic: Yeah.
00:54:59,000 --> 00:55:00,000
Vic: [BLANK_AUDIO]
00:55:00,000 --> 00:55:09,000
John: for distance viewing and one for up close, or in his case, one for computer work which,
00:55:05,080 --> 00:55:10,320
Vic: Right.
00:55:09,000 --> 00:55:10,000
Vic: [BLANK_AUDIO]
00:55:10,000 --> 00:55:17,000
John: you know, so the way that a lot of people with this condition, you know, which is just
00:55:10,320 --> 00:55:15,680
John: called getting old, I guess everybody, oh dear, it's an inevitable condition for most
00:55:15,680 --> 00:55:29,120
Vic: [LAUGH]
00:55:17,000 --> 00:55:22,000
Vic: It's a condition we all have.
00:55:22,000 --> 00:55:24,000
Vic: [LAUGH]
00:55:24,000 --> 00:55:33,000
John: of us, you know? Oh my God. Anyway, nevermind. Nevermind at all. Anyhow. Yeah. Anyway. So
00:55:29,120 --> 00:55:37,160
Vic: Yeah.
00:55:33,000 --> 00:55:34,000
Vic: [BLANK_AUDIO]
00:55:34,000 --> 00:55:54,000
John: yeah, we, so you can get contact lenses for your distance vision correction, and then
00:55:37,160 --> 00:55:43,240
John: when you want to do reading up close, you can then put just normal readers that you'll
00:55:43,240 --> 00:55:47,360
John: buy at the chemist or drug store and put them over the top. And that's what I did there
00:55:47,360 --> 00:55:52,560
John: for a while. But what I don't understand is, is that therefore a viable solution if you're
00:55:52,560 --> 00:55:59,660
Vic: Mm.
00:55:54,000 --> 00:55:55,000
Vic: [BLANK_AUDIO]
00:55:55,000 --> 00:56:05,000
John: wearing the Apple Vision Pro? Like would you wear contacts for distance viewing and then
00:55:59,660 --> 00:56:03,440
John: get the readers inserts, which are only a hundred bucks US versus the prescription,
00:56:03,440 --> 00:56:08,360
Vic: Mm.
00:56:05,000 --> 00:56:06,000
Vic: [BLANK_AUDIO]
00:56:06,000 --> 00:56:28,000
John: you know, 149s. But I'm just, like I said, I need to understand, and other people will
00:56:08,360 --> 00:56:14,400
John: figure this out. And this is one of those few things that I'm grateful that it's launching
00:56:14,400 --> 00:56:17,960
John: in the States before it's launching here. Cause I, the Americans, you're all going to
00:56:17,960 --> 00:56:22,320
John: be guinea pigs for me and you're going to figure this stuff out. So I'll just sit back
00:56:22,320 --> 00:56:26,400
John: and watch and let you work through the detail. Okay. And then once you've figured all that
00:56:26,400 --> 00:56:31,200
Vic: [LAUGH]
00:56:28,000 --> 00:56:30,000
Vic: [BLANK_AUDIO]
00:56:30,000 --> 00:56:40,000
John: out, I'll be like, aha, now I know I need to do. So anyway, I do need to get new glasses.
00:56:31,200 --> 00:56:36,520
John: These ones are getting close to three years old. So I looked at the script the other day
00:56:36,520 --> 00:56:39,560
John: and these lenses are scratched up to hell and I need new ones. So this time I'll be
00:56:39,560 --> 00:56:44,560
Vic: Mm.
00:56:40,000 --> 00:56:41,000
Vic: [BLANK_AUDIO]
00:56:41,000 --> 00:56:51,000
John: a little bit more careful about it, but I'd like to go in there and say, oh, you know,
00:56:44,560 --> 00:56:48,720
John: I need a copy of my prescription because last time I, they give you one when you buy the
00:56:48,720 --> 00:56:53,640
Vic: [BLANK_AUDIO]
00:56:51,000 --> 00:57:14,000
John: glasses, but I've can't find it. It's, it's gone somewhere. So I need to get that again.
00:56:53,640 --> 00:56:59,560
John: So while I will ask them these questions once I know, cause I mean, it may well be that
00:56:59,560 --> 00:57:05,120
John: if you need two different kinds of lenses, the only way to do it is like I say, pop on
00:57:05,120 --> 00:57:09,640
John: contact lenses and then get the readers inserts and then you've got the full range of vision.
00:57:09,640 --> 00:57:14,560
Vic: Right.
00:57:14,000 --> 00:57:15,000
John: Otherwise it might just be that it's tuned for up close. It might be tuned for distance.
00:57:14,560 --> 00:57:18,920
Vic: [BLANK_AUDIO]
00:57:15,000 --> 00:57:22,000
John: I don't know. It depends on how they've engineered it. Anyway. So yeah, finally exciting. So
00:57:18,920 --> 00:57:25,280
Vic: Yeah.
00:57:22,000 --> 00:57:23,000
Vic: [BLANK_AUDIO]
00:57:23,000 --> 00:57:32,000
John: they'll, they'll be available on the 2nd of February, which will be probably about a week
00:57:25,280 --> 00:57:29,800
John: after this episode goes live. And yes, to all the guinea pigs out there, let me know
00:57:29,800 --> 00:57:34,880
Vic: Mm.
00:57:32,000 --> 00:57:33,000
Vic: [BLANK_AUDIO]
00:57:33,000 --> 00:57:35,000
John: how it goes.
00:57:34,880 --> 00:57:35,320
Vic: Okay.
00:57:35,000 --> 00:57:36,000
John: Yeah.
00:57:35,320 --> 00:57:45,320
Vic: I won't be one of them.
00:57:36,000 --> 00:57:37,000
Vic: My only interest in it really is honestly, I'd like to watch TV.
00:57:37,000 --> 00:57:42,000
Vic: [LAUGH]
00:57:42,000 --> 00:57:44,000
Vic: But I'm also pretty fond of my actual real Dolby Atmos surround sound system.
00:57:44,000 --> 00:57:49,000
John: Yeah.
00:57:45,320 --> 00:58:01,320
Vic: And spatial audio and AirPods and stuff is really nice, but
00:57:49,000 --> 00:57:53,000
Vic: it's just not gonna compete with that.
00:57:53,000 --> 00:57:55,000
Vic: And also there's a $3,500 price tag to watch TV with it.
00:57:55,000 --> 00:57:59,000
Vic: [LAUGH]
00:57:59,000 --> 00:58:01,000
Vic: And then using it as an external display for my MacBook Pro would be really nice too.
00:58:01,000 --> 00:58:05,000
John: Yeah, yeah, exactly. Indeed. See the other thing to keep in mind too, Vic, is that if
00:58:01,320 --> 00:58:19,440
Vic: But again, $3,500 price tag on it.
00:58:05,000 --> 00:58:09,000
Vic: It really kind of curbs my enthusiasm for this product.
00:58:09,000 --> 00:58:13,000
Vic: [BLANK_AUDIO]
00:58:13,000 --> 00:58:23,000
John: you want to have a, a private experience, you need your AirPods. And then what I, so
00:58:19,440 --> 00:58:24,960
Vic: Mm-hm.
00:58:23,000 --> 00:58:24,000
Vic: [BLANK_AUDIO]
00:58:24,000 --> 00:58:33,000
John: what I had is a situation where I, my son's AirPods met the dryer. And so I bought new
00:58:24,960 --> 00:58:30,680
John: AirPods pro and gave him my old ones. Anyway. I did that two months before they released
00:58:30,680 --> 00:58:39,040
Vic: Right.
00:58:33,000 --> 00:58:34,000
Vic: [BLANK_AUDIO]
00:58:34,000 --> 00:58:44,000
John: the USB-C version. Now I don't, there was nothing on the specs for the AirPods pro USB-C
00:58:39,040 --> 00:58:47,480
Vic: Right.
00:58:44,000 --> 00:58:45,000
Vic: [BLANK_AUDIO]
00:58:45,000 --> 00:59:05,000
John: version that jumped out at anybody as them being different. They were just a USB-C charging
00:58:47,480 --> 00:58:52,520
John: case. Everyone just like shrugged. Let's, you know, nothing to see here. Turns out they
00:58:52,520 --> 00:58:56,880
John: put in five gigahertz into the damn AirPods. And that's what the Vision Pro will use for
00:58:56,880 --> 00:59:02,600
John: low latency audio. And I'm like, so I missed out on those AirPods by two months. I'm not,
00:59:02,600 --> 00:59:10,000
Vic: Right.
00:59:05,000 --> 00:59:06,000
Vic: [BLANK_AUDIO]
00:59:06,000 --> 00:59:21,000
John: not that I knew I needed to wait. So it's like, if I want to have that kind of an experience,
00:59:10,000 --> 00:59:14,800
John: if I do get an Apple Vision Pro, I'm up for another set of fricking AirPods. Yay. So that's
00:59:14,800 --> 00:59:20,360
John: annoying.
00:59:20,360 --> 00:59:20,800
John: Yeah. The second gen of the second gen. Yeah, exactly. Don't call it the third gen. Aye
00:59:20,800 --> 00:59:33,920
Vic: Yeah, this is the discreetly labeled second gen, second gen.
00:59:21,000 --> 00:59:26,000
Vic: [LAUGH]
00:59:26,000 --> 00:59:28,000
Vic: [BLANK_AUDIO]
00:59:28,000 --> 00:59:32,000
Vic: Right.
00:59:32,000 --> 00:59:33,000
Vic: [BLANK_AUDIO]
00:59:33,000 --> 00:59:43,000
John: yai yai. Anyway. All right. So if you want to talk more about this, you can reach me
00:59:33,920 --> 00:59:37,920
John: on the Fediverse at
[email protected] or the network at
[email protected]. If
00:59:37,920 --> 00:59:44,120
John: you're enjoying Pragmatic and you'd like to support us and keep the show ad free, you
00:59:44,120 --> 00:59:47,520
John: can by becoming a premium supporter. Just visit engineer.network/pragmatic to learn
00:59:47,520 --> 00:59:52,520
John: how you can help this show to continue to be made. Thank you. A big thank you to all
00:59:52,520 --> 00:59:57,240
John: of our supporters. A special thank you to our silver producers, Mitch Bilger, Shane
00:59:57,240 --> 01:00:01,200
John: O'Neill, Lesley, Kellen Fredelius Fujimoto, Jared Roman, Joel Maher, Katarina Will, Chad
01:00:01,200 --> 01:00:06,760
John: Juring and Ian Gallagher. And an extra special thank you to our gold producer, Stephen Bridle
01:00:06,760 --> 01:00:11,960
John: and our gold producer known only as R. Pragmatic is a podcasting 2.0 enhanced show and with
01:00:11,960 --> 01:00:18,160
John: the right podcast player, you'll have episode locations, enhanced chapters and real time
01:00:18,160 --> 01:00:23,560
John: subtitles on selected episodes. And you can also stream sats and boost with messages if
01:00:23,560 --> 01:00:28,080
John: you like. There's details on how along with the Boostergram leaderboard for this and all
01:00:28,080 --> 01:00:33,080
Vic: [BLANK_AUDIO]
01:00:33,000 --> 01:00:39,000
John: the shows on our website. If you'd like to get in touch with Vic, what's the best way
01:00:33,080 --> 01:00:37,840
John: for them to get in touch with you, mate?
01:00:37,840 --> 01:00:39,040
Vic: You can find me in most places at Big Hudson 1.
01:00:39,000 --> 01:00:42,000
John: There you go. I cringe every time I hear that domain. But anyway. Yeah.
01:00:39,040 --> 01:01:08,520
Vic: I still have a Twitter/X account, although it doesn't get a lot of use.
01:00:42,000 --> 01:00:47,000
Vic: And you can find me on the Fediverse as Big Hudson 1 at, no wait,
01:00:47,000 --> 01:00:53,000
Vic: Big Hudson 1 at app.net, that's it.
01:00:53,000 --> 01:00:58,000
Vic: Yeah, app.net.
01:00:58,000 --> 01:00:59,000
Vic: [LAUGH]
01:00:59,000 --> 01:01:02,000
Vic: [BLANK_AUDIO]
01:01:02,000 --> 01:01:07,000
Vic: Right.
01:01:07,000 --> 01:01:08,000
Vic: [BLANK_AUDIO]
01:01:08,000 --> 01:01:18,000
John: Yeah, I know. That's all good. Well, a special thank you to our supporters and a big thank
01:01:08,520 --> 01:01:13,800
John: you to everyone for listening. And as always, thank you, Vic. It's always a good time having
01:01:13,800 --> 01:01:19,040
Vic: Yes, thank you for having me.
01:01:18,000 --> 01:01:21,000
Vic: I had a good time as well.
01:01:21,000 --> 01:01:22,000